as of a third person, the tale of mine own love and estate, finding Mopsa, like a cuckoo by a nightingale, alone with Pamela, I came in unto them, and with a face, I am sure, full of cloudy fancies, took a harp and sung this song: Since so mine eyes are subject to your sight, That in your sight they fixed have my brain: Since so my heart is filled with that light, That only light doth all my life maintain. Since in sweet you, all goods so richly reign, That where you are, no wished good can want Since so your living image lives in me, That in myself yourself true love doth plant: How can you him unworthy then decree, In whose chief part your worths implanted be? {130} “The song being ended, which I had often broken off in the midst with grievous sighs which overtook every verse I sung, I let fall my harp from me, and casting mine eye sometimes upon Mopsa, but settling my sight principally upon Pamela. ‘And is it the only fortune, most beautiful Mopsa,’ said I, ‘of wretched Dorus that fortune must be the measure of his mind? am I only he, that because I am in misery more misery must be laid upon me? must that which should be cause of compassion become an argument of cruelty against me? alas! excellent Mopsa, consider that a virtuous prince requires the life of his meanest subject, and the heavenly sun disdains not to give light to the smallest worm. O Mopsa, Mopsa, if my heart could be as manifest to you, as it is uncomfortable to me, I doubt not the height of my thoughts should well countervail the lowness of my quality. Who hath not heard of the greatness of your estate? who seeth not that your estate is much excelled with that sweet uniting of all beauties which remaineth and dwelleth with you? who knows not that all these are but ornaments of that divine spark within you which, being descended from heaven, could not elsewhere pick out so sweet a mansion? but if you will know what is the band that ought to knit all these excellencies together, it is a kind mercifulness to such a one as is in his soul devoted to those perfections.’ Mopsa, who already had had a certain smackring towards me, stood all this while with her hands sometimes before her face, but most commonly with a certain special grace of her own, wagging her lips, and grinning instead of smiling: but all the words I could get of her was, wrying her waist, and thrusting out her chin, ‘in faith you jest with me: you are a merry man indeed.’