England -- Social life and customs -- 20th century -- Fiction; Upper class families -- England -- Fiction
She found the rusty handle of a bell amongst the creeper-leaves, and
pulled it. A cracked metallic tinkle answered her, but no one came; only
a faint sound as of someone pacing to and fro. Then in the street beyond
the outer gate a coster began calling to the sky, and in the music of
his prayers the sound was lost. The young man with a beard, resembling
an artist, came down the path.
“Perhaps you could tell me, sir, if my son is out?”
“I've not seen him go out; and I've been painting here all the morning.”
Mrs. Pendyce looked with wonder at an easel which stood outside another
door a little further on. It seemed to her strange that her son should
live in such a place.
“Shall I knock for you?” said the artist. “All these knockers are
stiff.”
“If you would be so kind!”
The artist knocked.
“He must be in,” he said. “I haven't taken my eyes off his door, because
I've been painting it.”
Mrs. Pendyce gazed at the door.
“I can't get it,” said the artist. “It's worrying me to death.”
Mrs. Pendyce looked at him doubtfully.
“Has he no servant?” she said.
“Oh no,” said the artist; “it's a studio. The light's all wrong. I
wonder if you would mind standing just as you are for one second; it
would help me a lot!”
He moved back and curved his hand over his eyes, and through Mrs.
Pendyce there passed a shiver.
'.hy doesn't George open the door?' she thought. 'What--what is this man
doing?'
The artist dropped his hand.
“Thanks so much!” he said. “I'll knock again. There! that would raise
the dead!”
And he laughed.
An unreasoning terror seized on Mrs. Pendyce.
“Oh,” she stammered, “I must get in--I must get in!”
She took the knocker herself, and fluttered it against the door.
“You see,” said the artist, “they're all alike; these knockers are as
stiff as pokers.”
He again curved his hand over his eyes. Mrs. Pendyce leaned against the
door; her knees were trembling violently.
'.hat is happening?' she thought. 'Perhaps he's only asleep,
perhaps---- Oh God!'
She beat the knocker with all her force. The door yielded, and in the
space stood George. Choking back a sob, Mrs. Pendyce went in. He banged
the door behind her.
For a full minute she did not speak, possessed still by that strange
terror and by a sort of shame. She did not even look at her son, but
cast timid glances round his room. She saw a gallery at the far end,
and a conical roof half made of glass. She saw curtains hanging all
the gallery length, a table with tea-things and decanters, a round iron
stove, rugs on the floor, and a large full-length mirror in the centre
of the wall. A silver cup of flowers was reflected in that mirror.
Mrs. Pendyce saw that they were dead, and the sense of their vague and
nauseating odour was her first definite sensation.
“Your flowers are dead, my darling,” she said. “I must get you some
fresh!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account