The _music spirit_ seems to be dying out in the country. I hear very little joyous song there, even though the people may be joyous. The habit of self-expression in song and music needs much to be encouraged in home and school and grange and church. I think the lack is in part due to the over-mastering influence of professional town music, and in part to the absence of study of simple country forms. Simplicity is not now the fashion in music. The single player with a simple theme and the single singer with a melodious and untrilled strain are not much heard at gatherings now. Some of the best singing I hear is now and then out among the folk,--a simple direct song as plain and sweet as a bird's note. I hope we shall not lose it. A _drama_ of some kind is very much needed for country districts. It should be a new form, something in the way of representing the end of the planting, the harvest, the seasons, the leading crops, the dairy, the woods, the history and traditions of the neighborhood or the region. Many of the pieces should be acted out of doors, and they should be produced chiefly by local talent. Such simple plays for the most part need yet to be written, but the themes are numerous. Why not have a festival or a generous spectacle of Indian corn, and then fill the whole occasion full of the feeling of the corn? As pure entertainment, this would be worth any number of customary theatricals, and as a means of bringing out the talent of the community it would have very positive social value. The traveling play usually leaves nothing behind it. The themes for short, simple, and strong dramatic presentation are almost numberless,--such episodes and events, for example, as the plowing, the reaping, the husking, the horse-shoeing, the hay-stacking, the wood-chopping, the threshing, the sugaring, the raising of the barn, the digging of the well, the herding of the cattle, the felling of the tree, the building of the church, the making of the wagon, the bridging of the creek, the constructing of the boat, the selling of the farm, the Indians, the settlers, the burst of spring, the dead of winter, the season of bloom, the heyday of summer. We do not sufficiently appreciate how widespread and native is the desire to dramatize. The ritual of fraternal orders is an illustration. We see it in the charades of evening parties. The old school "exhibition" made a wonderful appeal. Every community likes to see its own people "take parts." At nearly every important grange meeting, and at other country meetings, some one must "recite," and the recitation usually has characters, situations, and "take-offs." It is too bad that we do not have better literature to put in the hands of these reciters; in the meantime, I hope that the custom will not die out.