The Country of the Blind, and Other StoriesWells, H. G. (Herbert George)
Science
The Country of the Blind, and Other Stories
Wells, H. G. (Herbert George)
Science fiction, English
"Good-bye, Mr. Cummins," she said.
By a violent effort I controlled myself and touched her hand. I tried to
say some word of explanation to her. She looked into my working face and
winced. "I _must_ do it," she said hopelessly. Then she turned from
me and began walking rapidly down the gallery.
Heavens! How the human agony cried within me! I loved Delia. But nothing
found expression--I was already too deeply crusted with my acquired self.
"Good-baye!" I said at last, watching her retreating figure. How I hated
myself for doing it! After she had vanished, I repeated in a dreamy way,
"Good-baye!" looking hopelessly round me. Then, with a kind of
heart-broken cry, I shook my clenched fists in the air, staggered to the
pedestal of a winged figure, buried my face in my arms, and made my
shoulders heave. Something within me said "Ass!" as I did so. (I had the
greatest difficulty in persuading the Museum policeman, who was attracted
by my cry of agony, that I was not intoxicated, but merely suffering from
a transient indisposition.)
But even this great sorrow has not availed to save me from my fate. I see
it; everyone sees it: I grow more "theatrical" every day. And no one could
be more painfully aware of the pungent silliness of theatrical ways. The
quiet, nervous, but pleasing E.C. Cummins vanishes. I cannot save him. I
am driven like a dead leaf before the winds of March. My tailor even
enters into the spirit of my disorder. He has a peculiar sense of what is
fitting. I tried to get a dull grey suit from him this spring, and he
foisted a brilliant blue upon me, and I see he has put braid down the
sides of my new dress trousers. My hairdresser insists upon giving me a
"wave."
I am beginning to associate with actors. I detest them, but it is only in
their company that I can feel I am not glaringly conspicuous. Their talk
infects me. I notice a growing tendency to dramatic brevity, to dashes and
pauses in my style, to a punctuation of bows and attitudes. Barnaby has
remarked it too. I offended Wembly by calling him "Dear Boy" yesterday. I
dread the end, but I cannot escape from it.
Public-domain text, read in full here on John Shaqi.
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