The Country of the Blind, and Other StoriesWells, H. G. (Herbert George)
Science
The Country of the Blind, and Other Stories
Wells, H. G. (Herbert George)
Science fiction, English
"That's all. I says to 'er the next morning, 'Now you know,' I says, 'what
I'm like when I'm roused.' And I didn't have to say anything more."
"And you've been happy ever after, eh?"
"So to speak. There's nothing like putting your foot down with them. If it
'adn't been for that afternoon I should 'a' been tramping the roads now,
and she'd 'a' been grumbling at me, and all her family grumbling for
bringing her to poverty--I know their little ways. But we're all right
now. And it's a very decent little business, as you say."
They proceeded on their way meditatively. "Women are funny creatures,"
said Brother Tom.
"They want a firm hand," says Coombes.
"What a lot of these funguses there are about here!" remarked Brother Tom
presently. "I can't see what use they are in the world."
Mr. Coombes looked. "I dessay they're sent for some wise purpose," said
Mr. Coombes.
And that was as much thanks as the purple pileus ever got for maddening
this absurd little man to the pitch of decisive action, and so altering
the whole course of his life.
XVIII.
A SLIP UNDER THE MICROSCOPE.
Outside the laboratory windows was a watery-grey fog, and within a close
warmth and the yellow light of the green-shaded gas lamps that stood two
to each table down its narrow length. On each table stood a couple of
glass jars containing the mangled vestiges of the crayfish, mussels,
frogs, and guinea-pigs upon which the students had been working, and down
the side of the room, facing the windows, were shelves bearing bleached
dissections in spirits, surmounted by a row of beautifully executed
anatomical drawings in white-wood frames and overhanging a row of cubical
lockers. All the doors of the laboratory were panelled with blackboard,
and on these were the half-erased diagrams of the previous day's work. The
laboratory was empty, save for the demonstrator, who sat near the
preparation-room door, and silent, save for a low, continuous murmur and
the clicking of the rocker microtome at which he was working. But
scattered about the room were traces of numerous students: hand-bags,
polished boxes of instruments, in one place a large drawing covered by
newspaper, and in another a prettily bound copy of _News from
Nowhere_, a book oddly at variance with its surroundings. These things
had been put down hastily as the students had arrived and hurried at once
to secure their seats in the adjacent lecture theatre. Deadened by the
closed door, the measured accents of the professor sounded as a
featureless muttering.
Public-domain text, read in full here on John Shaqi.
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