The Country of the Blind, and Other StoriesWells, H. G. (Herbert George)
Science
The Country of the Blind, and Other Stories
Wells, H. G. (Herbert George)
Science fiction, English
"And afterwards we went on to the dancing-hall. But I cannot describe
that hall. The place was enormous, larger than any building you have ever
seen--and in one place there was the old gate of Capri, caught into the
wall of a gallery high overhead. Light girders, stems and threads of gold,
burst from the pillars like fountains, streamed like an Aurora across the
roof and interlaced, like--like conjuring tricks. All about the great
circle for the dancers there were beautiful figures, strange dragons, and
intricate and wonderful grotesques bearing lights. The place was inundated
with artificial light that shamed the newborn day. And as we went through
the throng the people turned about and looked at us, for all through the
world my name and face were known, and how I had suddenly thrown up pride,
and struggle to come to this place. And they looked also at the lady
beside me, though half the story of how at last she had come to me was
unknown or mistold. And few of the men who were there, I know, but judged
me a happy man, in spite of all the shame and dishonour that had come upon
my name.
"The air was full of music, full of harmonious scents, full of the rhythm
of beautiful motions. Thousands of beautiful people swarmed about the
hall, crowded the galleries, sat in a myriad recesses; they were dressed
in splendid colours and crowned with flowers; thousands danced about the
great circle beneath the white images of the ancient gods, and glorious
processions of youths and maidens came and went. We two danced, not the
dreary monotonies of your days--of this time, I mean--but dances that were
beautiful, intoxicating. And even now I can see my lady dancing--dancing
joyously. She danced, you know, with a serious face; she danced with a
serious dignity, and yet she was smiling at me and caressing me--smiling
and caressing with her eyes.
"The music was different," he murmured. "It went--I cannot describe it;
but it was infinitely richer and more varied than any music that has ever
come to me awake.
"And then--it was when we had done dancing--a man came to speak to me. He
was a lean, resolute man, very soberly clad for that place, and already I
had marked his face watching me in the breakfasting hall, and afterwards
as we went along the passage I had avoided his eye. But now, as we sat in
a little alcove smiling at the pleasure of all the people who went to and
fro across the shining floor, he came and touched me, and spoke to me so
that I was forced to listen. And he asked that he might speak to me for a
little time apart.
"'No,' I said. 'I have no secrets from this lady. What do you want to tell
me?'
"He said it was a trivial matter, or at least a dry matter, for a lady to
hear.
"'Perhaps for me to hear,' said I.
Public-domain text, read in full here on John Shaqi.
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