The Country of the Blind, and Other StoriesWells, H. G. (Herbert George)
Science
The Country of the Blind, and Other Stories
Wells, H. G. (Herbert George)
Science fiction, English
"'You must not come here,' I cried, '_I_ am here. I am here with my
dead.'
"He stared, and then shouted a question back to me in some unknown tongue.
"I repeated what I had said.
"He shouted again, and I folded my arms and stood still. Presently he
spoke to his men and came forward. He carried a drawn sword.
"I signed to him to keep away, but he continued to advance. I told him
again very patiently and clearly: 'You must not come here. These are old
temples, and I am here with my dead.'
"Presently he was so close I could see his face clearly. It was a narrow
face, with dull grey eyes, and a black moustache. He had a scar on his
upper lip, and he was dirty and unshaven. He kept shouting unintelligible
things, questions perhaps, at me.
"I know now that he was afraid of me, but at the time that did not occur
to me. As I tried to explain to him he interrupted me in imperious tones,
bidding me, I suppose, stand aside.
"He made to go past me, and I caught hold of him.
"I saw his face change at my grip.
"'You fool,' I cried. 'Don't you know? She is dead!'
"He started back. He looked at me with cruel eyes.
"I saw a sort of exultant resolve leap into them--delight. Then suddenly,
with a scowl, he swept his sword back--_so_--and thrust."
He stopped abruptly.
I became aware of a change in the rhythm of the train. The brakes lifted
their voices and the carriage jarred and jerked. This present world
insisted upon itself, became clamorous. I saw through the steamy window
huge electric lights glaring down from tall masts upon a fog, saw rows of
stationary empty carriages passing by, and then a signal-box, hoisting its
constellation of green and red into the murky London twilight, marched
after them. I looked again at his drawn features.
"He ran me through the heart. It was with a sort of astonishment--no fear,
no pain--but just amazement, that I felt it pierce me, felt the sword
drive home into my body. It didn't hurt, you know. It didn't hurt at all."
The yellow platform lights came into the field of view, passing first
rapidly, then slowly, and at last stopping with a jerk. Dim shapes of men
passed to and fro without.
"Euston!" cried a voice.
"Do you mean--?"
"There was no pain, no sting or smart. Amazement and then darkness
sweeping over everything. The hot, brutal face before me, the face of the
man who had killed me, seemed to recede. It swept out of existence--"
"Euston!" clamoured the voices outside; "Euston!"
The carriage door opened, admitting a flood of sound, and a porter stood
regarding us. The sounds of doors slamming, and the hoof-clatter of
cab-horses, and behind these things the featureless remote roar of the
London cobble-stones, came to my ears. A truck-load of lighted lamps
blazed along the platform.
"A darkness, a flood of darkness that opened and spread and blotted out
all things."
"Any luggage, sir?" said the porter.
"And that was the end?" I asked.
Public-domain text, read in full here on John Shaqi.
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