The Cumberland group of mountains, with its varied scenery and lakes, is
surrounded with the carboniferous rocks—as bright and lovely a picture,
set in a framework of jet or ebony, as the mind can contemplate. The
great _scar_, or mountain limestone, constitutes the base of the coal
series, resting on the old red conglomerate. This calcareous deposit is
of vast thickness, range, and extent—a concrete mass of animal remains
of five or six hundred feet. It presents the outline of a great coral
reef which anciently fringed the center cluster of the lake mountains:
and is still, with a few breaks, traceable along their wide and irregular
circumference. The sublime gorge of Gordale, the fine gray precipices
at the foot of Ingleborough, the caverns of Chapel-le-Dale and Clapham,
the rocks of Kirby Londsdale Bridge, and the great white terrace of
Whitbarrow, all derive their peculiar features from the effects of
erosive action on this formation. Diverging from the great terminal group
of the Cumbrians, the same deposit rises along the center of the district
into an independent ridge, taking up the most commanding positions—the
towering summit of Cross Fell on the one hand, and the celebrated High
Peak of Derby on the other, with all its wondrous caves and sparkling
fluor-crystals. The intermediate range of the Penine Alps, so denominated
by the Romans, is chiefly composed of the formation. The caves of
Kirkdale, the haunt of the British hyena and other extinct carnivora, are
situated in the same limestone, which is also the repository of numerous
lead mines, distinguished for their splendid metallic concretions and
fluor-spars. And here, too, are rivers which are lost in its dark
caverns; and that wonder of wonders, an astronomical paradox, where, from
the peculiar conformation of the hills and ravines, the sun does not rise
upon the inhabitants of Narrowdale, until he has passed his meridian,
and, as if to repair the loss, twice sets upon their horizon in the
course of every evening.
Public-domain text, read in full here on John Shaqi.
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