The additions to all exogenous plants are indicated in the stem or
trunk, by concentric lines or circles. In the center there is a cellular
substance called pith. When you take, therefore, a cross section of the
trunk of this class, the structure and parts will be arranged thus—bark
on the outside, pith in the center, and between these, concentric
deposits of woody matter, and all connected into a solid mass by plates
of comb-like tissue, radiating from the interior to the circumference,
and termed medullary rays. A structure like this, so closely and firmly
united, and filled up through all its parts, was surely intended for
endurance; and yet out of this class of the vegetable tribes, nature has
selected few of her carboniferous models. The plants of the period, as
yet detected, are composed chiefly of cellular tissue, mixed up with the
substance of the stem, and without pith, medullary rays, concentric woody
deposits, or the binding ligament of bark. The hardy oak and tall slender
cane may be taken as examples of the two modes of structure—the former
allied to existing, the latter to extinct families.
Another ground of distinction among plants consists in the leaves
or flattened expansions, from which they derive all their grace and
symmetry. This is farther connected with the seed and rudimentary organs,
and gives rise to the division into _cotyledonous_ and _acotyledonous_
plants. The non-flowering or cryptogamous are all of the latter kind. The
flowering or phonogamous not only belong to the former, but are again
subdivided into monocotyledonous or dicotyledonous, according as their
seed-vessels are possessed of one or of two lobes. Where there are two
lobes the expansion of the germ upon bursting from the ground terminates
in two imperfect leaves, by which the botanist can at once determine the
class to which it belongs. The corns and grasses have single cotyledons,
from one extremity of which descend the roots, and from the other the
stem springs up, terminated with a single leaf.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account