France -- History -- 15th century -- Juvenile fiction
It was a pale and sorrowful queen whom Le Glorieux beheld when next he
went to court. The fairy-like columns and sparkling fountains of her
palaces were no longer a delight to Queen Isabella; for her the roses in
the Alhambra gardens had lost their fragrance, and she thought with
indifference of her new possessions across the sea, for she had lost the
dearest treasure of all, and the great queen had become the sorrowing
mother.
CHAPTER XIII
TRIPPING THE MEASURES OF THE EGG-DANCE
Ferdinand and Isabella were very kind to the young Princess of the
Asturias, and insisted that she should remain with them. Some writers
see a selfish motive in this invitation, saying that the royal couple
feared to have Austria's daughter escape from their influence, that they
wished to control her future, lest she should make a marriage directly
opposed to the interests of Spain. But why not give them the credit of
being really kind-hearted, and of wanting the society of the girl-widow,
whom they must have loved for their son's sake if not for her own?
But Marguerite longed for her home and for her father, and one day Le
Glorieux found her weeping in one of the myrtle walks of the Alcazar
gardens. "You are crying in this beautiful twilight," said he, "when the
nightingales are just beginning to sing, and you are close beside roses
which could not be any redder and which have a fragrance that almost
makes one drunk. Look at the goldfishes in that fountain, look at that
tree loaded down with oranges, which, though they are of a kind that is
not good to eat, make a fine show. Look through the trees at that
beautiful palace where you have but to utter a word and your wish is
granted, and then have the heart to weep!"
But the princess continued to sob.
"We did not have half so many comforts in your father's empire," he went
on. "The time we went to hunt the chamois with Max we found no luxuries
in The Hunter's Rest. We were warm and comfortable and that was about
all; all you could do was to run about with your ladies and work at your
embroidery while the men hunted. Do you remember how gay Max was when he
came back, and how he told about the chamois, and----"
"Oh, do not talk of it!" cried the princess, interrupting him. "Why must
you make me more wretched than I was before you came?"
Cunegunda came along the walk with a mantilla of fine black lace over
her arm; this she threw, Spanish fashion, over the head and shoulders of
her young mistress. "You have been making her cry!" she said
reproachfully, to the jester.
"That is a fine thing to say, when I have been talking myself hoarse to
keep her from crying! But, of course, you always blame me with
everything."
"You were making her cry; I heard you, and I heard what she said,"
insisted the woman. "You were talking about the inn in the Tyrol."
"I do not deny it. I did it for the purpose of contrast. Think of that
mean little inn and the cold snow, then think of this marble palace and
these flowers."
Public-domain text, read in full here on John Shaqi.
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