The Court of Cacus; Or, The Story of Burke and HareLeighton, Alexander
History
The Court of Cacus; Or, The Story of Burke and Hare
Leighton, Alexander
Body snatching; Burke, William, 1792-1829; Hare, William, 1792?-1870?
The appearance of his wife, who had a child in her arms, was scarcely less
impressive, but not from any characteristic indicating the successful
cunning displayed by the husband. She could scarcely contain herself. You
saw the bloated virago always appearing from under a bunchy and soft mass,
with small fiery eyes that peered about in every direction, as if she felt
she had come there to favour the judges, who were bound accordingly to
admire her. Like most of the famous examples of her sex renowned for
cruelty, it was clear she could be as mild as gentleness itself; and it
was only when she came to the great scene when she saw Burke lying on the
body of his victim, and "flew out of the house" because of her delicacy,
and stood in the passage "quite powerless," unable to "cry out," that you
could come to form a true estimate of that combination of the devilish and
the soft, which so much distinguishes the wicked of the one sex from those
of the other. She admitted that she knew very well that Burke was
murdering the woman, because she had seen "such tricks before;" yet she
had "no power to remove herself from the passage;" and whenever the
counsel or judge wished to know whether the victim screamed or shewed any
indication of violent suffering, her mouth would give out nothing but soft
words, so afraid was she to see anything "come upon the woman," all the
while that the fiery scintillations escaped from these small eyes. To the
next question, she admitted that she went for the tea-chest, trying to
save herself by the qualification that Burke said it was to hold old
shoes; and then, in a few minutes after, "she knew that the body was put
into that box." Nor was the audience less struck with the manner in which
she used the infant as an instrument to produce pity, and a mean of fence
against searching questions. The poor creature was under the influence of
hooping-cough, and as the long choking inspirations came every now and
then ringing through the court, they reminded the audience of the
strangling of the victims, and seemed to be intended by God as a
mysterious kind of sign. She was not only a woman but a mother; and should
not this produce sympathy even to one who had fought the fight of the
drunken virago in the street of Portsburgh, been art-and-part in a dozen
of murders, who had led the kind-hearted simpleton as a dumb lamb to the
slaughter, and had so often watched under the hush of breathless
expectation for the sign when the work was done, and then hung, like one
of those fabled creatures called "Furies," round the slayers and the
slain, to get her part of the prey?
Public-domain text, read in full here on John Shaqi.
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