[14] There is a very long and detailed account of the ceremony in MS. (Biblioteca National, Madrid, p.v.c. 27), transcribed by the writer. The new-born babe was borne down the great staircase of the Alcazar in the arms of a lady of the house of Spinola, the Count-Duke of Olivares walking backwards with golden candlesticks escorting the new Princess to the rooms of her governess, the Countess Duchess of Olivares, in the ground floor apartment that had only a few months before housed the Prince of Wales. The King with all his Court attended the Royal Chapel for the _Te Deum_, pontifically celebrated by the Patriarch and Cardinal Zapata. For three nights in succession every balcony in Madrid was illuminated by a wax torch, and at night a great masked equestrian display of 120 nobles of the Court with new costumes and liveries was performed, the Count of Olivares and Don Pedro de Toledo being the most brilliant, and skilful riders. The great cavalcade paraded the principal streets of the capital, and ran two courses, one in the Calle Mayor and the other before the Convent of Discalced Carmelites. The next day the King rode in state with all the Court to give thanks to the Virgin of Atocha, returning in coaches and admiring the illuminations. The baptism took place in the little parish church of St. Gil, hung for the occasion with cloth of gold. There the Nuncio with cardinals and bishops galore made a Christian of the babe. The tremendous ceremony, with silver cradle, its rich offerings and its pompous names, must be taken for granted here, but the pride of the narrator in the grandeur of it all is significant of the time. There is extant a news-letter from Don Antonio de Mendoza to the Duke of Bejar of the date (quoted by Hartzenbusch in his _Calderon_) giving an account of the great festivity held by Marquis of Alcañices in his palace in Madrid to celebrate the birth of this Infanta. "Two comedies by different authors were represented with excellent dancers and a dance of maskers in which elegance and skill vied with each other; the great saloon in which it was held inciting envy in the heavenly spheres, such was the beauty and the brilliancy it contained." [15] He was a French pedlar named Reynard de Peralta, and was of course garotted and burnt by the Inquisition for his crime, which amounted to a denial of the Immaculate Conception. [16] The actors had also another Mentidero or Liars' Walk of their own, where they were wont to congregate on an open space at the corner of the Calle de Leon, opposite to what is now the great literary club of Madrid, the Ateneo. [17] The original pretext for the establishment of the public theatres was to provide funds for the charitable fraternities who partly owned them, and always received a considerable share of the takings.