It has been asserted that the Pope made such an impression in Paris that the Emperor felt for the august old man a sort of secret jealousy. But even granting, what is by no means certain, that he suffered from this, he had at least skill to conceal it. Always the Pope was overwhelmed with flattering attentions. The President of the Legislative Body, M. de Fontanes, said to him November 30, 1804: "Everything else has changed; religion alone knows no change. It sees the families of kings, and those of subjects, perish; but resting on the ruins of thrones, it ever admires the successive manifestations of the eternal designs and obeys them with confidence. Never has the universe beheld a more imposing sight, never have its people received more important lessons. This is no longer the time of rivalry between the priesthood and the Empire. They have joined hands to repel the fatal doctrines which threatened Europe with total overthrow. May they yield forever to the double influence of politics and religion combined! Doubtless this wish will not be disappointed; never in France has there been so great a genius to control its policy, and never has the pontifical throne presented to the Christian world a more worthy and more touching model." The _Moniteur_, in its report of the coronation, spoke with the same official enthusiasm "of the most venerable apostolic virtues and of the most astounding political genius crowned by the highest destinies." David, the artist, once a member of the Convention and a regicide, then an Imperialist, painted the portrait of Pius VII., and the _Moniteur_ in the number of March 30, 1805, thus praised the picture and the sitter. "A large crowd gathered in the gallery of the Senate, to see the portrait of His Holiness by M. David, member of the Institute and first painter to the Emperor. This portrait is in every way worthy of the master's reputation. If the first essential in a portrait is an exact likeness, this one possesses it to a very high degree. The head, which is admirably painted, expresses the indulgent and wise character, the gentleness and reasonableness, that are so conspicuous in the model; the eyes an expression, affectionate and paternal; the expression of the mouth is most striking; one feels that it can utter only words of peace, consolation, and truth." Josephine had for Pius VII. a feeling of veneration full of gratitude. She was most grateful to him for having persuaded Napoleon, to have the religious marriage for which she had long yearned. She, who had preserved her faith, in the midst of an irreligious society, was happy to inhabit the same palace, to live under the same roof, with the Vicar of Christ, and firmly hoped thereby to secure good fortune for herself and her husband. For his part, Pius VII. appreciated Josephine's good qualities, especially her charity: he treated her as an indulgent father treats his child.