The Courtship of Morrice Buckler: A RomanceMason, A. E. W. (Alfred Edward Woodley)
History
The Courtship of Morrice Buckler: A Romance
Mason, A. E. W. (Alfred Edward Woodley)
Great Britain -- History -- James II, 1685-1688 -- Fiction; Historical fiction
She sat with her chin propped upon her hands, and her eyes steadily
fixed upon mine, but she betrayed no resentment in her looks nor,
indeed, feeling of any kind. Then, in a low, absent voice, she began
to croon over to herself that odd, wailing elegy which I had once
heard her sing in London. The tune had often haunted me since that day
from its native melancholy, but now, as Ilga sang it in the moonlight,
her eyes very big and dark, and fastened quietly upon mine, it gained
a weird and eerie quality from her manner, and I felt my flesh begin
to creep.
I stirred uneasily upon the settle, and Ilga stopped. I must think she
mistook the reason of my restlessness, for a slow smile came upon her
face, and, reaching out a hand, she tried the knots wherewith I was
bound.
"It may well be," she suggested, "that you are better inclined to
speak the truth, since now you know to what falsehood has brought
you."
"Madame," I replied wearily, "I know not what you believe nor what you
would have me say. It matters little to me, nor can I see, since you
have reached the end for which you worked, that it need greatly
concern you. This only I know, that I have already told you the
truth."
"And the miniature you left behind you?" she asked, with an ironic
smile. "Am I to understand it has no bearing on the duel?"
"Nay, madame," said I; "'tis the key to the cause of our encounter."
"Ah!" she interrupted, with a satisfaction which I did not comprehend.
"You have drawn some profit from the reflection of these last hours."
"For," I continued, "it contained the likeness of my friend, Sir
Julian Harnwood, as, indeed, Otto must needs have told you. 'Twas in
his cause that I came to Lukstein."
"'Twas the likeness of a woman," she replied patiently.
I stared at her in amazement.
"Of a woman!" I exclaimed.
She laughed with a quiet scorn.
"Of a woman," she repeated. "I showed it you in my apartments at
London."
"The portrait of Lady Tracy? It is impossible!" I cried, starting up.
"Why, Marston gave it you. You told me so."
"Oh, is there no end to it?" She burst out into sudden passion,
beating her hands together as though to enforce her words. "Is there
no end to it? I never told you so. 'Twas you who pretended that. You
pretended you believed it, and like a weak fool, I let your cunning
deceive me. I was not sure then that you had killed the Count, and I
believed you had never seen the likeness till that day. But now I
know. You own you left the miniature behind you."
"But the case was locked," I said, "and I had not the key."
"I know not that."
I could have informed her who had possessed the key, but refrained,
bethinking me that the knowledge might only add to her distress and
yet do no real service to me.
"And so," I observed instead, "all your anxiety that I should not tax
Marston with the giving of it was on your own account, and not at all
on mine."
Public-domain text, read in full here on John Shaqi.
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