The Courtship of Morrice Buckler: A RomanceMason, A. E. W. (Alfred Edward Woodley)
History
The Courtship of Morrice Buckler: A Romance
Mason, A. E. W. (Alfred Edward Woodley)
Great Britain -- History -- James II, 1685-1688 -- Fiction; Historical fiction
But alas! 'Twas of little profit to me. I would get me tired to bed
only to plunge into a whirlpool of unrestful dreams, and toss there
until the morning. Sometimes it would be the door of the little
staircase to the Count's bedroom. I would see it opening and opening
perpetually, and yet never wide open; or again, it would grow gigantic
in size, and swing back across the world as though it was hinged
betwixt the poles. Most often, however, it would be Count Lukstein's
wife. I beheld her now, tall and stately, with her glorious aureole of
hair and her dark, unseeing eyes eating through me like a slow fire as
she advanced across the room; now I followed her as she moved through
the moonlit garden with the taper burning clear and steady in her
hand. But, however the dream began, 'twould always end the same way.
The fiery windows of Castle Lukstein would leap upon me out of the
darkness, and I would wake in a cold sweat, my body a-quiver, and her
lone cry knelling in my ears.
A strange feature of these nightmare fancies, and a feature that
greatly perplexed me, was that the Count himself played no part in
them. Were my dreams the test and touchstone of the truth, I could
never so much as have set eyes upon him. The encounter, the
conversation which preceded it, the last cowardly thrust, and the dead
form huddled up in my arms among the curtains--of these things I had
not even a hint. They became erased from my memory the moment that I
fell asleep. Then 'twas always the woman who was pictured to me; in no
single instance the man. I wondered at this omission the more,
inasmuch as I frequently thought of Count Lukstein during the
day-time, remembering with an odd sense of envy the softness of his
voice when he spoke concerning his wife.
Spent with the double fatigue of the day's exertions and the night's
phantasmal horrors, I betook myself at length to my library, seeking
rest, if not forgetfulness, among my old companions. But the delight
and joy of books had gone out from me, and nowise could I recover it.
Once the very covers had seemed to me to answer the pressure of my
fingers with a friendly welcome; now I applied myself straightway to
the text as to a laborious and uncongenial task. I had looked so
deeply into a tragic reality that these printed images of life
appeared false and distorted, like reflections thrown from a convex
mirror; and I understood how it is that those who act are but seldom
their own historians, and when they are, content themselves with a
simple register of deeds. However, I persevered in this course for a
while, hoping that some time my former zest and liking would return to
me, and I should taste again the fine flavour of a nicely-ordered
sentence or of a discriminate sequence of thoughts.
But one May morning, coming into the study shortly after sunrise, I
sat me down, with my limbs unrefreshed and aching, before the "Religio
Medici" of the Norwich doctor, and I fell immediately across this
passage:
Public-domain text, read in full here on John Shaqi.
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