The Courtship of Morrice Buckler: A RomanceMason, A. E. W. (Alfred Edward Woodley)
History
The Courtship of Morrice Buckler: A Romance
Mason, A. E. W. (Alfred Edward Woodley)
Great Britain -- History -- James II, 1685-1688 -- Fiction; Historical fiction
"Prithee, no! To tell the honest truth, I am surfeited with
compliments, and 'twould give me a great pleasure if during these few
minutes we are together you would style me neither nymph, divinity,
nor angel, but would treat me as just a woman. The fashion, indeed, is
not worth copying, the more especially when, to quote your own phrase,
one copies it without discretion."
She laughed pleasantly as she spake, and the words conveyed not so
much a rebuke as the amiable raillery of an intimate.
"'Tis true," I replied, "I do envy these townsmen. I envy them their
grace of bearing and the nimbleness of their wits, which ever reminds
me of the sparkle in a bottle of Rhenish wine."
She shook her head, and made room for me by her side.
"The bottle has stood open for me these two months since, and I begin
to find the wine is very flat."
She dropped her voice at the end of the sentence, and leaned wearily
back upon the cushions.
"You see, Mr. Buckler," she explained, "I live amongst the hills," and
there was a certain wistfulness in her tone as of one home-sick.
"Then there is a second bond between us, for I live amongst the hills
as well."
"It is that," said she, "which makes us friends," and just for a
second she laid a hand upon my sleeve. It seemed to me that no man
ever heard sweeter words or more sweetly spoken from the lips of
woman.
"But since you are here," I questioned eagerly, "you will stay--you
will stay for a little?"
"I know not," she replied, smiling at my urgency; and then with a
certain sadness, "some day I shall go back, I hope, but when, I know
not. It might be in a week, it might be in a year, it might be never."
Of a sudden she gave a low cry of pain. "I daren't go home," she
cried, "I daren't until--until----"
"Until you have forgotten." The words were on the tip of my tongue,
but I caught them back in time, and for a while we sat silent. The
Countess appeared to grow all unconscious of my presence, and gazed
steadily down the quiet street as though it stretched beyond and
beyond in an avenue of leagues, and she could see waving at the end of
it the cedars and pine-trees of her Tyrol.
Nor was I in any hurry to arouse her. A noisy rattle of voices
streamed out on a flood of yellow light from the further windows on my
left, and here she and I were alone in the starlit dusk of a summer
night. Her very silence was sweet to me with the subtlest of
flatteries. For I looked upon it as the recognition of a tie of
sympathy which raised me from the general throng of her courtiers into
the narrow circle of her friends.
So I sat and watched her. The pure profile of her face was outlined
against the night, the perfume of her hair stole into my nostrils, and
every now and then her warm breath played upon my cheek. A fold of her
train had fallen across my ankle, and the soft touch of the velvet
thrilled me like a caress; I dared not move a muscle for fear lest I
should displace it.
Public-domain text, read in full here on John Shaqi.
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