The Coward: A Novel of Society and the Field in 1863Morford, Henry
History
The Coward: A Novel of Society and the Field in 1863
Morford, Henry
United States -- History -- Civil War, 1861-1865 -- Fiction
Half an hour from the foot of the mountain the coach went rapidly up a
sharp ascent in the road, then dashed down again at full gallop, striking
one of those necessary nuisances known as "breakwaters" when a few yards
from the top, with a shock that sent the coach-body leaping on its leathern
jacks like a yawl-boat in a heavy surf, made some of the outsiders on the
top shout and hold on merrily to keep from being whirled off into one of
the side-ravines, and created such a state of affairs inside the vehicle,
generally, as effectually broke up the monotony. That shock drove the head
of Mrs. Vanderlyn back against the leathern cushions with a force seriously
damaging to the crown of her bonnet, brought a slight scream from Clara,
who was frightened for the instant, made the troublesome Master Brooks
Brooks yell and dash a dirty hand into the dress of each of the ladies who
had the honor of the same seat, and elicited from Mrs. Brooks Cunninghame
and her husband one of those brief but very significant marital displays
which were no doubt afterwards to edify so many. Whether the lady had
ascertained that fashionable people must always fall and faint under any
sudden excitement, or whether the shock really frightened as well as
unseated her, is a matter of no consequence: certain it is that she at that
juncture threw up her hands and rolled up her eyes, gave one scream that
degenerated into a groan, rolled from her seat and subsided into the bottom
of the coach, under the feet of "H. T.," in what seemed to be a fit of some
description. Miss Marianna, really alarmed, with the affectionate if not
classic words, "Oh, mammy!" made a grab at that lady, clutching the back of
her hat and tearing it from the head it crowned, while Master Brooks Brooks
changed his yell into a howl and Mr. Brooks Cunninghame stooped down,
terror in his face and his hands feeling around at the bottom of the
vehicle for any portion of what had been his wife, with the affectionate
but not politic inquiry: "Is it kilt ye are, Bridget?"
Not politic?--no, certainly not! A stronger word might be applied without
risk to the unfortunate expression. Among the changes in family polity not
before indicated, had been an indignant throwing over of her very honest
name of "Bridget" by the wife of the horse-contractor, and the adoption of
"Julia" in its stead. More than one curtain-lecture had poor Mr. Brooks
Cunninghame endured, before leaving New York, on the necessity of avoiding
any blunder in that regard, when they should be "away from home"; and he
had not escaped without severe drill and many promises of perfection in his
part. And now to have forgotten the adopted "Julia" and used the tell-tale
"Bridget" at the very moment of the family's entering upon their first
essay in fashionable watering-place life, was really a little too much for
patience not entirely angelic.
Public-domain text, read in full here on John Shaqi.
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