The Coward: A Novel of Society and the Field in 1863Morford, Henry
History
The Coward: A Novel of Society and the Field in 1863
Morford, Henry
United States -- History -- Civil War, 1861-1865 -- Fiction
Halstead Rowan had ceased looking at the Sphynx and gazed only at its
oracle, long before the strange rhapsody concluded; and Margaret Hayley,
supported upon the arm of Captain Hector Coles, had more than once
shuddered, and at last leaned so heavily upon that arm as to indicate that
she must be suddenly ill. To the startled inquiry of the Captain as to the
cause of her trembling, she replied in words that indicated her feeling to
have been excited by the strangely-patriotic words, and by a request to be
taken back at once to the Profile. That request was immediately heeded, and
the three passed on up the road, where all the other company had some time
preceded them.
But one expression more fell from the lips of the strange man, as the three
moved away, and Margaret Hayley heard it.
"Why, you must be a poet!" said the Illinoisan, when his companion had
concluded the rhapsody.
"No, I am only a lawyer, and you must not take all that we say for gospel,
or even for poetry!" was the reply. "Come, let us go back to the house and
imagine that we have had enough of moonlight."
The two followed up the road at once and overtook the three but a moment
after. As they passed, "H. T." recognized first the shoulder-straps of the
officer, and then the figure of the lady upon his left arm. Turning to see
her face more closely, his own was for a moment under the full glare of the
moon, and Margaret Hayley had a fair opportunity to observe every feature.
Shaded as were her own eyes, their direction could not be distinguished;
but they really scanned the face before them with even painful earnestness,
a low, intense sigh of disappointment and unhappiness escaping her when the
inspection had ended. She walked back with Captain Coles and her mother to
the door of the Profile, and left them in conversation on the moonlit
piazza, escaping up-stairs to her own room and not leaving it again during
the evening. What may have been her thoughts and feelings can only be
divined from one expression which fell from her lips as she closed the door
of her chamber and dropped unnerved upon a chair at the table:
"Who can that man be? His voice, and yet not his voice! A shadow of his
face, and yet no more like his face than like mine! Am I haunted, or has
this trouble turned my brain and am I going mad? Another such evening would
kill me, I think!"
Public-domain text, read in full here on John Shaqi.
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