The Coward: A Novel of Society and the Field in 1863Morford, Henry
History
The Coward: A Novel of Society and the Field in 1863
Morford, Henry
United States -- History -- Civil War, 1861-1865 -- Fiction
Passing still further down the room, either in that quest which has before
been hinted at, or in the search for a vacant seat among the male and
female wall-flowers, Townsend came upon the mother of the young lady. Mrs.
Vanderlyn was standing beside a centre-table, under one of the chandeliers,
an illustrated book in her hand, and apparently absorbed in the
contemplation of some of the engravings after Landseer and Corbould. But
books have been known, many times in the history of the world, to be used
for the same purpose as fans or fire-screens, (or even spectacles, for that
matter), and looked over; and the lawyer felt a sudden curiosity awakened
to examine the _eyes_, especially as the lady was standing in such a
position as to command the dancers.
He was not at all disappointed in the surmise which he seemed to have
formed. The haughty matron had no eyes for her book, but really had her
gaze fixed, with a close pressure of the eye-balls against the brows, on
her daughter and Halstead Rowan. And no one who had only seen it under more
favorable circumstances, would have believed it possible that a face of
such matronly comeliness could be brought to look so harshly--even
vindictively. The eyes were literally fierce; and the mouth was set with a
firm, hard expression which brought the full lower lip perceptibly over the
upper.
Suddenly the observer saw the features relax and the whole expression
change. He turned instantly and half involuntarily, and saw that a
substitution had taken place in partners. Without quitting the floor, Miss
Vanderlyn had accepted the proffered hand of a young Boston exquisite who
was already rumored around the Notch to be the heir of a paternal half
million,--and was whirling away in another polka. Rowan was gone. A second
glance showed that he had not left the room, but that he stood far back in
one of the corners, alone and silent, and his eyes, heedless of the amount
of observation which their glance might excite, fixed in profound
admiration on the beautiful girl whom he had just quitted. Then the
expression of his face seemed for the moment to change, and the same
emotions might have been read there that had startled at least one of the
spectators the evening before at the piazza--the same emotions of
contending pride and abasement, hope and fear, but intensified now so that
there could be no mistaking their import.
Public-domain text, read in full here on John Shaqi.
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