What was to be done? To speak with the archbishop was now impossible, and
yet on the revelation she was to make to him depended the fate of the
lovely novice. The princess drew forth her tablets of enameled gold, wrote
a few lines therein with a pencil, and ordered her lackey to make way for
her through the crowd, and conduct her with all speed to the sacristy.
The description given of the church and the assemblage on this occasion
presents an idea of the aristocratical state of the times, and of the high
interest awakened by the affecting sacrifice about to take place. The
church was hung with superb tapestry, above which extended a band of white
damask, fringed with gold, and covered with armorial escutcheons. A large
pennon, emblazoned with the arms and alliances of the high-born damsel, was
suspended, according to custom, in place of the lamp of the sanctuary. The
lusters, girandoles, and candelabras of the king had been furnished in
profusion, to decorate the sacred edifice, and the pavements were all
covered with rich carpets.
The sanctuary presented a reverend and august assemblage of bishops,
canons, and monks of various orders, Benedictines, Bernardines, Raccollets,
Capuchins, and others, all in their appropriate robes and dresses. In the
midst presided the Archbishop of Paris, Christopher de Beaumont; surrounded
by his four arch priests and his vicars-general. He was seated with his
back against the altar. When his eyes were cast down, his countenance, pale
and severe, is represented as having been somewhat sepulchral and
death-like; but the moment he raised his large, dark, sparkling eyes, the
whole became animated; beaming with ardor, and expressive of energy,
penetration, and firmness.
The audience that crowded the church was no less illustrious. Excepting the
royal family, all that was elevated in rank and title was there; never had
a ceremonial of the kind attracted an equal concourse of the high
aristocracy of Paris.
At length the grated gates of the choir creaked on their hinges, and Madame
de Richelieu, the high and noble Abbess of De Panthemont, advanced to
resign the novice into the hands of her aunt, the Countess Canoness De
Rupelmonde. Every eye was turned with intense curiosity to gain a sight of
the beautiful victim. She was sumptuously dressed, but her paleness and
languor accorded but little with her brilliant attire. The Canoness De
Rupelmonde conducted her niece to her praying-desk, where, as soon as the
poor girl knelt down, she sank as if exhausted. Just then a sort of murmur
was heard at the lower end of the church, where the servants in livery were
gathered. A young man was borne forth, struggling in convulsions. He was in
the uniform of an officer of the guards of King Stanislaus, Duke of
Lorraine. A whisper circulated that it was the young Viscount de
Gondrecourt, and that he was a lover of the novice. Almost all the young
nobles present hurried forth to proffer him sympathy and assistance.
Public-domain text, read in full here on John Shaqi.
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