As the steamboat paused a short time at the village, I took occasion to
stroll about the place. Most of the houses were in the French taste, with
casements and rickety verandas, but most of them in flimsy and ruinous
condition. All the wagons, plows, and other utensils about the place were
of ancient and inconvenient Gallic construction, such as had been brought
from France in the primitive days of the colony. The very looks of the
people reminded me of the villages of France.
From one of the houses came the hum of a spinning wheel, accompanied by a
scrap of an old French chanson, which I have heard many a time among the
peasantry of Languedoc, doubtless a traditional song, brought over by the
first French emigrants, and handed down from generation to generation.
Half a dozen young lasses emerged from the adjacent dwellings, reminding
me, by their light step and gay costume, of scenes in ancient France, where
taste in dress comes natural to every class of females. The trim bodice and
covered petticoat, and little apron, with its pockets to receive the hands
when in an attitude for conversation; the colored kerchief wound tastefully
round the head, with a coquettish knot perking above one ear; and the neat
slipper and tight drawn stocking with its braid of narrow ribbon embracing
the ankle where it peeps from its mysterious curtain. It is from this
ambush that Cupid sends his most inciting arrows.
While I was musing upon the recollections thus accidentally summoned up, I
heard the sound of a fiddle from the mansion of Compere Martin, the signal,
no doubt, for a joyous gathering. I was disposed to turn my steps thither,
and witness the festivities of one of the very few villages I had met with
in my wide tour that was yet poor enough to be merry; but the bell of the
steamboat summoned me to re-embark.
As we swept away from the shore, I cast back a wistful eye upon the
moss-grown roofs and ancient elms of the village, and prayed that the
inhabitants might long retain their happy ignorance, their absence of all
enterprise and improvement, their respect for the fiddle, and their
contempt for the almighty dollar. [Footnote: This phrase, used for the
first time in this sketch, has since passed into current circulation, and
by some has been questioned as savoring I fear, however, my prayer is of
irreverence. The author, therefore, owes it to his orthodoxy to declare
that no irreverence was intended even to the dollar itself; which he is
aware is daily becoming more and more an object of worship.] I fear,
however, my prayer is doomed to be of no avail. In a little while the
steamboat whirled me to an American town, just springing into bustling
and prosperous existence.
Public-domain text, read in full here on John Shaqi.
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