"Don Manuel did take warning by it. Guided by the counsels of the worthy
friar, he disposed of all his temporal affairs; dedicated the greater part
of his wealth to pious uses, especially to the performance of masses for
souls in purgatory; and finally, entering a convent, became one of the most
zealous and exemplary monks in Seville."
* * * * *
While my companion was relating this story, my eyes wandered, from time to
time, about the dusky church. Methought the burly countenances of the monks
in their distant choir assumed a pallid, ghastly hue, and their deep
metallic voices had a sepulchral sound. By the time the story was ended,
they had ended their chant; and, extinguishing their lights, glided one by
one, like shadows, through a small door in the side of the choir. A deeper
gloom prevailed over the church; the figure opposite me on horseback grew
more and more spectral; and I almost expected to see it bow its head.
"It is time to be off," said my companion, "unless we intend to sup with
the statue."
"I have no relish for such fare or such company," replied I; and, following
my companion, we groped our way through the mouldering cloisters. As we
passed by the ruined cemetery, keeping up a casual conversation, by way of
dispelling the loneliness of the scene, I called to mind the words of the
poet:
"--The tombs
And monumental caves of death look cold,
And shoot a chillness to my trembling heart!
Give me thy hand, and let me hear thy voice;
Nay, speak--and let me hear thy voice;
My own affrights me with its echoes."
There wanted nothing but the marble statue of the commander striding along
the echoing cloisters to complete the haunted scene.
Since that time I never fail to attend the theater whenever the story of
Don Juan is represented, whether in pantomime or opera. In the sepulchral
scene, I feel myself quite at home; and when the statue makes his
appearance, I greet him as an old acquaintance. When the audience applaud,
I look round upon them with a degree of compassion. "Poor souls!" I say to
myself, "they think they are pleased; they think they enjoy this piece, and
yet they consider the whole as a fiction! How much more would they enjoy
it, if like me they knew it to be true--_and had seen the very
place_!"
* * * * *
BROEK
OF THE DUTCH PARADISE
It has long been a matter of discussion and controversy among the pious and
the learned, as to the situation of the terrestrial paradise from whence
our first parents were exiled. This question has been put to rest by
certain of the faithful in Holland, who have decided in favor of the
village of Broek, about six miles from Amsterdam. It may not, they observe,
correspond in all respects to the description of the Garden of Eden, handed
down from days of yore, but it comes nearer to their ideas of a perfect
paradise than any other place on earth.
Public-domain text, read in full here on John Shaqi.
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