The Frenchman has a wonderful facility at turning small things to
advantage. No one can be gay and luxurious on smaller means; no one
requires less expense to be happy. He practices a kind of gilding in his
style of living, and hammers out every guinea into gold leaf. The
Englishman, on the contrary, is expensive in his habits, and expensive in
his enjoyments. He values everything, whether useful or ornamental, by what
it costs. He has no satisfaction in show, unless it be solid and complete.
Everything goes with him by the square foot. Whatever display he makes, the
depth is sure to equal the surface.
The Frenchman's habitation, like himself, is open, cheerful, bustling, and
noisy. He lives in a part of a great hotel, with wide portal, paved court,
a spacious dirty stone staircase, and a family on every floor. All is
clatter and chatter. He is good-humored and talkative with his servants,
sociable with his neighbors, and complaisant to all the world. Anybody has
access to himself and his apartments; his very bedroom is open to visitors,
whatever may be its state of confusion; and all this not from any
peculiarly hospitable feeling, but from that communicative habit which
predominates over his character.
The Englishman, on the contrary, ensconces himself in a snug brick mansion,
which he has all to himself; locks the front door; puts broken bottles
along his walls, and spring guns and man-traps in his gardens; shrouds
himself with trees and window-curtains; exults in his quiet and privacy,
and seems disposed to keep out noise, daylight, and company. His house,
like himself, has a reserved, inhospitable exterior; yet whoever gains
admittance is apt to find a warm heart and warm fireside within.
The French excel in wit, the English in humor; the French have gayer fancy,
the English richer imagination. The former are full of sensibility; easily
moved, and prone to sudden and great excitement; but their excitement is
not durable; the English are more phlegmatic; not so readily affected, but
capable of being aroused to great enthusiasm. The faults of these opposite
temperaments are that the vivacity of the French is apt to sparkle up and
be frothy, the gravity of the English to settle down and grow muddy. When
the two characters can be fixed in a medium, the French kept from
effervescence and the English from stagnation, both will be found
excellent.
Public-domain text, read in full here on John Shaqi.
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