The Cream of the Jest: A comedy of evasionsCabell, James Branch
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The Cream of the Jest: A comedy of evasions
Cabell, James Branch
Allegories; Authors -- Fiction; Dreams -- Fiction; Fantasy fiction
So they dined alone together, sharing a taciturn meal, and duly
witnessed the drolleries of _The Gutta-Percha Girl_. Kennaston’s sleep
afterward was sound and dreamless.
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IV
Past Storisende Fares the Road of Use and Wont
HE read _The Tinctured Veil_ in print, with curious wistful wonder. “How
did I come to write it?” was his thought.
Thereafter Felix Kennaston, as the world knows, wrote no more books,
save to collect his later verses into a volume. “I am afraid to write
against the author of _The Tinctured Veil_,” he was wont flippantly to
declare. And a few of us suspected even then that he spoke the absolute
truth.
* * * * *
Meanwhile, Mr. and Mrs. Kennaston continued their round of decorous
social duties: their dinner-parties were chronicled in the _Lichfield
Courier-Herald_; and Kennaston delivered, by request, two scholarly
addresses before the Lichfield Woman’s Club, was duly brought forward to
shake hands with all celebrities who visited the city, and served
acceptably in the vestry of his church.
Was Felix Kennaston content?—that is a question he alone could have
answered.
“But why shouldn’t I have been?” he said, a little later, in reply to
the pointblank query. “I had a handsome home, two motors, money in four
banks, and a good-looking wife who loved and coddled me. The third
prince gets no more at the end of any fairy tale. Still, the old woman
spoke the truth, of course—one pays as one goes out.... Oh, yes, one
pays!—that is an inevitable rule; but what you have to pay is not
exorbitant, all things considered.... So, be off with your crude
pessimisms, Harrowby!”
* * * * *
And indeed, when one comes to think, he was in no worse case than any
other husband of his standing. “Who wins his love must lose her,” as no
less tunefully than wisely sings one of our poets—a married bard, you
may be sure—and all experience tends to prove his warbling perfectly
veracious. Romancers, from Time’s nonage, have invented and have
manipulated a host of staple severances for their puppet
lovers—sedulously juggling, ever since Menander’s heyday, with
compromising letters and unscrupulous rivals and shipwrecks and wills
and testy parents and what not—and have contrived to show love
overriding these barriers plausibly enough. But he must truly be a
boldfaced rhapsodist who dared at outset marry his puppets, to each
other, and tell you how their love remained unchanged.
Public-domain text, read in full here on John Shaqi.
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