But the Kiddy, ever since Tanqueray had known her, had refused to be
pathetic; she had clenched her small fists to repel the debilitating
touch of sympathy. She was always breaking loose from the hands that
tried to restrain her, always facing things in spite of her terror,
always plunging, armoured, indomitable, into the thick of the fight. And
she had always come through somehow, unconquered, with her wounds in
front. The wounds he had divined rather than seen, ever since he, in
their first deplorable encounter, had stuck a knife into her. She had
turned that defeat, he remembered, into a brilliant personal triumph;
she had forced him to admire her; she had worn over that mark, as it
were, a gay and pretty gown.
And now, again, Tanqueray was obliged to abandon his vision of her
pathos. The spectacle she presented inspired awe rather and amazement;
though all that she called on you to observe, at the moment, was merely
an insolent exhibition of a clever imp. The Kiddy was minute, but her
achievements were enormous; she was ridiculous, but she was sublime.
She sat tight, tighter than ever, and went on. She wrote one charming
book after another, at astonishingly short intervals, with every
appearance of immemorial ease. She flung them to her scrambling public
with a side wink at her friends. "They don't know how I'm fooling them,"
was her reiterated comment on her own performances.
Tanqueray exulted over them. They all went to Prothero's profit and his
peace. It was not in him to make light of her popularity, or cast it in
her hilarious face. Nor could he hope to equal her own incomparable
levity. She would come to him, laughing, with the tale of her absurdly
soaring royalties, and he would shout with her when she cried, "The
irony of it, Tanks, the delicious irony! It all goes down to his
account."
"He's got another ready for them," she announced one day.
She always spoke of her husband's poems as if they were so many bombs,
hurled in the face of the enemy, her public. There was nothing like the
pugnacity of the Kiddy in these years of Prothero's disaster.
She came to Tanqueray one evening, the evening before publication; she
came secretly, while Owen was in Fleet Street. Her eyes blazed in a
premature commencement of hostilities. She had come forth, Tanqueray
knew, to brave it out, to show her serenity, and the coolness of her
courage on the dreadful eve.
Public-domain text, read in full here on John Shaqi.
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