"Whoever _does_ come down on you?"
"John," said she, "was with me for two hours yesterday."
Brodrick lent his ear as to a very genuine grievance. John, since his
bereavement, was hardly ever out of the house.
"And I suppose," he said, "he bored you?"
"No, but he will call when I'm writing."
"Why on earth don't you send him away?"
"I would, if Mabel hadn't died. But how can you when he's unhappy? It
would hurt him so. And yet, supposing you were to die, what would John
say if I were to call on him at the works every day, and play with his
dynamos to distract my mind, or sit with him in his office rumpling his
hair, and dislocating his ideas till he didn't know the difference
between a steam-roller and an internal combustion engine? That's more or
less what John does to me. The only thing is to get away."
However, it was for Brodrick to decide, she said. And Brodrick said he
couldn't decide until he had thought it over.
She was very soon aware that she had caused a scandal in her husband's
family by her proposal to go away for three months. The scandal was not
altogether unconnected with George Tanqueray, since it was at his
suggestion that she proposed to take this unprecedented step. If she had
proposed to take it with him they could hardly have shown themselves
more horrified.
She knew how monstrous her conduct must appear to them. She could see it
all so clearly from their point of view. That had always been after all
her poor merit, that she could see things from other people's point of
view. Her vision indeed of them, of the way they took things, was apt to
be so vivid, so engrossing that it left her with no point of view of her
own. She carried into life itself and all its relations her virtue as an
artist, that effacement of her observing self in favour of the thing
observed.
That, Nina told her, was her danger. Nina happened to be with her on the
day when another family committee met and sat upon her case. They were
sitting on it now, up-stairs with Brodrick in his study. She knew
infallibly what their judgment would be. Just as she had seemed to them
so long a creature of uncertain health, she must seem now inconstant,
insincere, the incarnation of heartlessness, egotism and caprice. She
said to herself that it was all very well for Nina to talk. This insight
was a curse. It was terrible to know what people were thinking, to feel
what they were feeling. And they were seven to one, so that when she
gave them pain she had to feel seven times the pain she gave.
But after all they, her judges, could take care of themselves. This
family, that was one consolidated affection, was like a wall, it would
shelter and protect her so long as she was content to be sheltered and
protected; if she dashed herself against it it would break her in
pieces.
And Nina was saying, "Can't you take it into your own hands? Why should
you let these people decide your fate for you?"
"Hugh will decide it," she said. "He's with them up-stairs now."
Public-domain text, read in full here on John Shaqi.
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