She, Brodrick's secretary, might have been about five-and-thirty. She
was fair with the fairness which is treacherous to women of her age,
which suffers when they suffer. But Gertrude's skin still held the
colours of her youth as some strong fabric holds its dye. Her face
puzzled you; it was so broad across the cheek-bones that you would have
judged it coarse; it narrowed suddenly in the jaws, pointing her chin to
subtlety. Her nose, broad also across the nostrils and bridge, showed a
sharp edge in profile; it was alert, competent, inquisitive. But there
was mystery again in the long-drawn, pale-rose lines of her mouth. A
wide mouth with irregular lips, not coarse, but coarsely finished. Its
corners must once have drooped with pathos, but this tendency was
overcome or corrected by the serene habit of her smile.
It was not the face of a dreamer. Yet at the moment you would have said
she dreamed. Her eyes, light coloured, slightly prominent, stared
unsheltered under their pale lashes and insufficient brows. They were
eyes that at first sight had no depths in them. Yet they seemed to hold
vapour. They dreamed. They showed her dream.
She started as the silver-chiming clock struck the quarter.
She went up-stairs to the room that was her own, and examined herself
carefully in the looking-glass. Then she did something to her hair.
Waved slightly and kept in place by small amber-coloured combs,
Gertrude's hair, though fragile, sustained the effect of her almost
Scandinavian fairness. Next she changed her cotton blouse for an
immaculate muslin one. As she drew down the blouse and smoothed it under
the clipping belt, she showed a body flat in the back, sharp-breasted,
curbed in the waist; the body of a thoroughly competent, serviceable
person. Her face now almost suggested prettiness, as she turned and
turned its little tilted profile between two looking-glasses.
At half-past three she was seated at her place in Brodrick's library. A
table was set apart for her and her type-writer on a corner by the
window.
The editor was at work at his own table in the centre of the room. He
did not look up at her as she came in. His eyes were lowered, fixed on
the proof he was reading. Once, as he read, he shrugged his shoulders
slightly, and once he sighed. Then he called her to him.
She rose and came, moving dreamily as if drawn, yet holding herself
stiffly and aloof. He continued to gaze at the proof.
"You sat up half the night to correct this, I suppose?"
"Have I done it very badly?"
Public-domain text, read in full here on John Shaqi.
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