The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpointErichsen, Hugo
Religion
The cremation of the dead: considered from an aesthetic, sanitary, religious, historical, medico-legal, and economical standpoint
Erichsen, Hugo
Cremation
“What a horrid place! It is full of coffins up to the surface. Coffins
are broken up before they are decayed; and bodies removed to the
bone-house before they are sufficiently decayed to make their removal
decent!... The bone-house is a large, round pit. Into this had been shot
from a wheelbarrow the but partly decayed inmates of the smashed
coffins. On the north side was a man digging a grave. He was quite
drunk. So, indeed, were all the grave-diggers we saw.”
Walker saw the tin plates removed from the coffins broken up, and
witnessed how many wagon-loads of bones were taken to the
charnel-houses.
Lord Ronald Gower writes in _Vanity Fair_:—
“The other day I came across a somewhat rare little brochure,—an account
of the violation of the royal sepulchres of St. Denis, during the first
French Revolution. The work of destruction and sacrilege commenced early
in October, 1793, and lasted all the month. The first corpse found was
that of Henry IV, the once beloved Henri de Navarre. Some curiosity, if
not affection, still seems to have lingered even among those patriots
who have constituted themselves body-snatchers, and the bearnais was
propped up against the church wall in his shroud, and became quite an
attraction for the crowd. One of the republican guards even condescended
to cut off the king’s gray, upturned moustache, and place it on his lip;
another removed the beard, which he declared he would keep as a relic.
After these marks of attention were exhausted, the body was thrown into
a huge pit filled with quicklime, into which successively followed those
of its ancestors and descendants.
“On the next day the corpses of Henry IV’s wife, Maria de Medicis, that
of his son, Louis XIII, and that of his grandson, Louis XIV, were added
to this. The body of the sun-king (as Louis XIV’s courtiers loved to
call him) was as ‘black as ink.’ What a contrast to that majestic,
bewigged head, as we see it on the canvas of Le Brun and Rigault, must
not that poor blackened skull have been! The body of the Grand Monarch’s
wife and that of his son, the Dauphin (father of Louis XV) followed; all
these, and especially the latter, were in a state of shocking decay.
Public-domain text, read in full here on John Shaqi.
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