The Cricket Field: Or, the History and Science of the Game of CricketPycroft, James
History
The Cricket Field: Or, the History and Science of the Game of Cricket
Pycroft, James
Cricket
Peter Heward, an excellent wicket-keeper of Leicester,--of the same
day as Henry Davis, one of the finest and most graceful hitters ever
seen, as Dakin, or any midland player will attest,--once observed to
me, “Players are apt to forget that a bad bowler may bowl one or two
balls as well as the best; so, to make a good average, you must always
play the same guarded and steady game, and take care especially when
late in the season.” “Why late in the season?” “Because the ground is
damp and heavy--it takes the spring out of good bowling, and gives fast
underhand bowling as many twists as it has hops, besides making it hang
on the ground. This game is hardly worth playing it is true; but a man
is but half a player who is only prepared for true ground.” “We do not
play cricket,” he continued, “on billiard tables; wind and weather,
and the state of the turf make all the difference. So, if you play to
win, play the game that will carry you through; and that is a straight
and upright game; use your eyes well; play not at the pitch, nor by the
length, but always (what few men do) at the ball itself, and never hit
or ‘pull the ball’ across wicket.”
Next as to the _half-volley_. This is the most delightful of all
balls to hit, because it takes the right part of the bat, with all
the quickness of its rise or rebound. Any player will show you what a
half-volley is, and I presume that every reader has some living lexicon
to explain common terms. A half-volley, then, is very generally hit
in the air, soaring far above every fieldsman’s head; and to know the
power of the bat, every hitter should learn so to hit at pleasure.
Though, as a rule, _high hits make a low average_. But I am now to
speak only of hitting half-volleys along the ground.
Every time you play forcibly at the pitch of a ball you have more or
less of the half-volley; so this is a material point in batting. The
whole secret consists partly in timing your hit well, and partly in
taking the ball at the right part of the rise, so as to play the ball
down without wasting its force against the ground.
Every player thinks he can hit a half-volley along the ground; but
if once you see it done by a really brilliant hitter, you will soon
understand that such hitting admits of many degrees of perfection. In
forward play, or driving, fine hitters seem as if they felt the ball
on the bat, and sprung it away with an elastic impulse; and, in the
more forcible hits, a ball from one of the All England batsmen appears
not so much like a hit as a shot from the bat: for, when a ball is hit
in the swiftest part of the bat’s whirl, and with that part of the bat
that gives the greatest force with the least jar, the ball appears to
offer no resistance; its momentum is annihilated by the whirl of the
bat, and the two-and-twenty fieldsmen find to their surprise how little
ground a fieldsman can cover against true and accurate hitting.
Public-domain text, read in full here on John Shaqi.
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