As Mr. Townsend entered a woman came forward to greet him. She wore an
air of considerable concern.
"Oh, Mr. Townsend, sir, I'm so glad it's you. Burton's out, and
something has happened which has quite upset me.
"I'm very sorry, Mrs. Lane, that you should have been upset. What has
upset you?"
"There's been a man who wanted to see you--leastways, he didn't look as
if he was a gentleman, and he didn't behave like one. I told him you
weren't in, but he wouldn't take no for an answer. He pushed right past
me and marched straight into your room, and said he'd wait until you
came. He's been there an hour or more; and I just went in to say that I
really didn't think it was any use his waiting when I was taken quite
aback to find that the room was empty and that he wasn't there."
"That, probably, was because he had gone. Let us trust that the spoons
have not gone too!"
"Oh, sir, I do trust they haven't. But what makes it seem so queer to
me is that I have been watching all the time, and haven't seen a
creature leave the room."
"Possibly, Mrs. Lane, he has vanished into air."
Laughing at her as he passed, Mr. Townsend went into his room.
CHAPTER XLI.
TAKING LEAVE.
It was a handsome room, that in which Mr. Townsend, when at home,
passed the larger portion of his waking hours--large, lofty,
well-proportioned. The walls were wainscoted. Here and there was a
piece of tapestry. Curtains suggested, rather than screened, an
occasional recess. Veiled, too, were entrances to rooms beyond. A
window, running from floor to ceiling, extended on one side of the
room, almost from wall to wall. Had it been daytime, one would have
seen that it overlooked Hyde Park.
On his entrance Mr. Townsend went immediately to the portrait of the
girl which stood up on his mantelboard. He looked at it long and
earnestly. He took it out of its frame. He kissed it, not once or
twice, but a dozen times at least. He regarded it with something of the
veneration which the religious Russian peasant regards his Icon.
"Dora!" he murmured. "Dora!" Then, with a smile, "What might have
been!"
Gripping the portrait with both his hands, he began to tear it into
two; then stopped.
"It seems almost like sacrilege." He kissed the face again. "It would
be a sacrilege to let it fall into their hands as evidence that she had
endured the contamination of my acquaintance."
He tore the portrait, not only into halves, but into fragments, and the
fragments he cast upon the fire. As the flames consumed them he made a
little gesture towards them with his hands.
"Good-bye!"
Public-domain text, read in full here on John Shaqi.
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