Book collectors -- Fiction; Detective and mystery stories; France -- Fiction
And he pointed to the statues of the Ladies of Ancient France which
towered up, all white, in a half-circle under the trees of the terrace.
This joke, though in itself trifling, enabled me to know that the
young man called Gelis was a student at the Ecole des Chartes. From the
conversation which followed I was able to learn that his neighbor, blond
and wan almost to diaphaneity, taciturn and sarcastic was Boulmier, a
fellow student. Gelis and the future doctor (I hope he will become one
some day) discoursed together with much fantasy and spirit. In the midst
of the loftiest speculations they would play upon words, and make jokes
after the peculiar fashion of really witty persons--that is to say, in
a style of enormous absurdity. I need hardly say, I suppose, that they
only deigned to maintain the most monstrous kind of paradoxes. They
employed all their powers of imagination to make themselves as ludicrous
as possible, and all their powers of reasoning to assert the contrary of
common sense. All the better for them! I do not like to see young folks
too rational.
The student of medicine, after glancing at the title of the book that
Boulmier held in his hand, exclaimed,
“What!--you read Michelet--you?”
“Yes,” replied Boulmier, very gravely. “I like novels.”
Gelis, who dominated both by his fine stature, imperious gestures, and
ready wit, took the book, turned over a few pages rapidly, and said,
“Michelet always had a great propensity to emotional tenderness. He
wept sweet tears over Maillard, that nice little man introduced la
paperasserie into the September massacres. But as emotional tenderness
leads to fury, he becomes all at once furious against the victims. There
was no help for it. It is the sentimentality of the age. The assassin
is pitied, but the victim is considered quite unpardonable. In his later
manner Michelet is more Michelet than ever before. There is no common
sense in it; it is simply wonderful! Neither art nor science, neither
criticism nor narrative; only furies and fainting-spells and
epileptic fits over matters which he never deigns to explain. Childish
outcries--envies de femme grosse!--and a style, my friends!--not a
single finished phrase! It is astounding!”
And he handed the book back to his comrade. “This is amusing madness,”
I thought to myself, “and not quite so devoid of common sense as it
appears. This young man, though only playing has sharply touched the
defect in the cuirass.”
But the Provencal student declared that history was a thoroughly
despicable exercise of rhetoric. According to him, the only true history
was the natural history of man. Michelet was in the right path when he
came in contact with the fistula of Louis XIV., but he fell back into
the old rut almost immediately afterwards.
Public-domain text, read in full here on John Shaqi.
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