Over the mantelpiece, in a large gilded frame, was a written document, entitled in flamboyant Gothic lettering, Tableau d’Honneur, with a long array of names underneath, among which I did not have the pleasure of finding that of Jeanne Alexandre. After having read over several times the names of those girl-pupils who had thus made themselves honoured in the eyes of Mademoiselle Prefere, I began to feel uneasy at not hearing any one coming. Mademoiselle Prefere would certainly have succeeded in establishing the absolute silence of interstellar spaces throughout her pedagogical domains, had it not been that the sparrows had chosen her yard to assemble in by legions, and chirp at the top of their voices. It was a pleasure to hear them. But there was no way of seeing them--through the ground-glass windows. I had to content myself with the sights of the parlour, decorated from floor to ceiling, on all of its four walls, with drawings executed by the pupils of the institution. There were Vestals, flowers, thatched cottages, column-capitals, and an enormous head of Tatius, King of the Sabines, bearing the signature Estelle Mouton. I had already passed some time in admiring the energy with which Mademoiselle Mouton had delineated the bushy eyebrows and the fierce gaze of the antique warrior, when a sound, faint like the rustling of a dead leaf moved by the wind, caused me to turn my head. It was not a dead leaf at all--it was Mademoiselle Prefere. With hands jointed before her, she came gliding over the mirror-polish of that wonderful floor as the Saints of the Golden Legend were wont to glide over the crystal surface of the waters. But upon any other occasion, I am sure, Mademoiselle Prefere would not have made me think in the least about those virgins dear to mystical fancy. Her face rather gave me the idea of a russet-apple preserved or a whole winter in an attic by some economical housekeeper. Her shoulders were covered with a fringed pelerine, which had nothing at all remarkable about it, but which she wore as if it were a sacerdotal vestment, or the symbol of some high civic function. I explained to her the purpose of my visit, and gave her my letter of introduction. “Ah!--so you are Monsieur Mouche!” she exclaimed. “Is his health VERY good? He is the most upright of men, the most---” She did not finish the phrase, but raised her eyes to the ceiling. My own followed the direction of their gaze, and observed a little spiral of paper lace, suspended from the place of the chandelier, which was apparently destined, so far as I could discover, to attract the flies away from the gilded mirror-frames and the Tableau d’Honneur. “I have met Mademoiselle Jeanne Alexandre,” I observed, “at the residence of Madame de Gabry and had reason to appreciate the excellent character and quick intelligence of the young girl. As I used to know her parents very well, the friendship which I felt for them naturally inclines me to take an interest in her.”