Detective and mystery stories, French -- Translations into English; Fiction
"This is not a conference; is it not so? You no longer believe that it
is a comedy? I loved Rovère. Life had often separated us. He searched
for fortune at the other end of the world. I made a mess of mine and ate
it in Paris. But we always kept up our relations, and when he returned
to France we were happy in again seeing each other. The grayer turned
the hair, the more tender the heart became. I had always found him
morose--from his twentieth year he always dragged after him a sinister
companion--ennui. He had chosen a Consular career, to live far away, and
in a fashion not at all like ours. I have often laughingly said to him
that he probably had met with unrequited love; that he had experienced
some unhappy passion. He said, no! I feigned to believe it. One is not
sombre and melancholy like that without some secret grief. After all,
there are others who do not feel any gayer with a smile on the lips.
Sadness is no sign. Neither is gayety!"
His face took on a weary, melancholy expression, which at first
astonished the Magistrate; then he experienced a feeling of pity; he
listened, silent and grave.
"I will pass over all the details of our life, shall I not? My monologue
would be too long. The years of youth passed with a rapidity truly
astonishing; we come to the time when we found ourselves--he weary of
life, established in his chosen apartments in the Boulevard de Clichy,
with his paintings and books; sitting in front of his fire and awaiting
death--I continuing to spur myself on like a foundered horse. Rovère
moralized to me; I jeered at his sermons, and I went to sit by his
fireside and talk over the past. One of his joys had been this portrait
of me, painted by Paul Baudry. He had hung it up in his salon, at the
corner of the chimney piece, at the left, and he often said to me:
"'Dost thou know that when thou art not here I talk to it?'
"I was not there very often. Parisian life draws us by its thousand
attractions. The days which seem interminable when one is twenty rush by
as if on wings when one is fifty. One has not even time to stop to see
the friends one loves. At the last moment, if one is right, one ought to
say, 'How I have cast to the winds everything precious which life has
given me. How foolish I have been--how stupid.' Pay no attention to my
philosophisms--the cell! Mazas forces one to think!
Public-domain text, read in full here on John Shaqi.
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