The Crime of the Century; Or, The Assassination of Dr. Patrick Henry CroninHunt, Henry M.
History
The Crime of the Century; Or, The Assassination of Dr. Patrick Henry Cronin
Hunt, Henry M.
Cronin, Patrick Henry, 1846-1889; Trials (Assassination) -- Illinois -- Chicago
The committeeman relented at this, and by a gesture indicated that the
attendants might open the coffin. When they had exposed the face,
covered as it was by the glass, the sister stepped forward, and gazing
long and intently at the features beneath, burst into a passion of
tears. Bending her gray head to the glass of the casket, she lifted her
veil and pressed her lips convulsively against the glass again and again
as she said: "Good-by, good-by, asthore!" She turned away in a burst of
passionate weeping. Her husband could not control his feelings as he
silently gazed at the remains of the brother they had loved, and he,
too, burst into tears. Mrs. Carroll was an elder sister of the deceased,
residing at St. Catherines, Ont., and neither she nor her husband had
seen him for fourteen years, but her heart warmed to him as it had in
childhood when they played together in the years gone by.
Between this occurrence and midnight, a period of nearly eight hours,
many thousands of people were admitted to the building. Four Knights of
St. Patrick, in plumed bonnets, long gloves and drawn swords, guarded
the casket, one being stationed at each corner of the catafalque. The
latter was imposing enough for the obsequies of a monarch. At the four
corners there were standards supporting cross pieces above at a height
of fifteen feet, and which, together with the supports, were draped in
black over-wound with white. Above, depending horizontally from the
beams of the great roof, were draped three immense flags, their centres
reaching down to the roof of black below. At the head of the casket was
a massive floral cross, nearly six feet in height, and composed of
marguerites, carnations, cape jasmines, roses, and lilies-of-the-valley,
all in white. At the foot, upon a black-robed pedestal, stood a
four-foot candelabra of brass, bearing seven lighted wax candles. Upon
the top of the coffin was a large bunch of white roses attached to a
pair of palms by satin ribbons, while the side and base of the bier were
covered with smilax and palms overstrewn with a profusion of loose
roses. To complete the effect the four corners of the catafalque were
banked with pink hydrangeas, and over all looked down, from a frame of
crape, a lifelike portrait of the murdered man. Only the casket and
catafalque were to be seen, the coffin lid being closed until the formal
lying in state on the following morning, but all who came were admitted,
and hour after hour a steady stream of people filed before the sentries,
and when, at midnight, the big doors were closed, it was estimated that
fully twelve thousand people had, by their presence, by bowed heads and
by tear-dimmed eyes, paid a simple token of respect to the memory of the
murdered man.
CHAPTER VII.
Public-domain text, read in full here on John Shaqi.
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