Dr. Corre, in his interesting work, _Les Criminels_, has investigated the
historic and judicial documents relative to the last moments of 88
criminals condemned to death, of whom 64 were men and 24 women. Of the men
25 died in a cowardly manner, already half-dead with fear, or else after a
despairing struggle with the executioner. These were more than two-fifths
of the whole number, and included many of the chief criminal celebrities,
some of them educated men, doctors and priests. Four accepted their fate
in a state of extreme nervous excitement, accompanied by loquacity. Twelve
maintained to the end a cynical and theatrical attitude; these were
vain individuals, often with some pretensions to literary ability;
Lacenaire is the type of them. Five died with indifference, an impassivity
which recalls the insensibility of the brute or the unconsciousness of the
madman. Eighteen went out of the world with a calm and resigned courage,
often repentant, and prepared by the exhortations of the priest. They
belonged to various social classes. Those of the lower classes were
generally more sincere, and publicly avowed their guilt, holding
themselves up as warnings to others; those belonging to the middle
classes, anxious to leave behind a doubt as to their guilt, declared
themselves innocent; others were silent. Of the 24 women, only 5 (about
one-fifth) showed cowardice. Only one, a poisoner, showed “revolting
cynicism.” The rest, 18 in number, were self-possessed and resigned,
frequently repentant, and generally consoled by religious administrations.
In this category is included the Marquise de Brinvilliers, who for a long
quarter of an hour was exposed to an immense crowd nearly naked--“mirodée,
rasée, dressée et redressée par le bourreau,” wrote Mme. de Sevigné--with
unshaken firmness. Three-fourths of the women, little more than one-fourth
of the men, are among those who died with resigned self-possession. The
cynicism, cowardice, and brutal passivity of the others alike testify to
moral insensibility.
Public-domain text, read in full here on John Shaqi.
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