The Criminal Prosecution and Capital Punishment of AnimalsEvans, E. P. (Edward Payson)
History
The Criminal Prosecution and Capital Punishment of Animals
Evans, E. P. (Edward Payson)
Animals -- Law and legislation -- History; Animals, Prosecution and punishment of -- History; Trials -- Europe
“My poets
Shall with a satire, steep’d in gall and vinegar,
Rhime ’em to death, as they do rats in Ireland.”
Ben Jonson is still more specific:
“Rhime ’em to death, as they do Irish rats,
In drumming tunes.”
From this reference to the mode of conjuring it appears that the repeating
of the rhymes was accompanied with the beating of a drum, as is still the
usage in France. From the very earliest times a peculiar magical potency
has been ascribed to words woven into rhythmic form. The fascination which
metrical expression, even as a mere jingle and jargon, still retains for
the youth of the individual was yet far more strongly felt in the youth of
the race. The simple song was intoned as a spell and the rude chant
mumbled as a charm.
In France the conjuration of field-mice bears a more distinctly religious
stamp. On the first Sunday in Lent, the so-called Feast of the Torches
(_la Fête des Brandons ou des Bures_), the peasants wander in all
directions through the fields and orchards with lighted torches of twisted
straw, uttering the following incantation, which not only threatens to
burn the whiskers of obdurate mice, but also hints at the wine-bibbing
propensities of the curate:
“Sortez, sortez d’ici, mulots!
Ou je vais vous bruler les crocs!
Quittez, quittez ces blés!
Allez, vous trouverez
Dans la cave du curé
Plus à boire qu’à manger.”
The form of imprecation varies in different provinces, but usually
includes some threat of breaking the bones or burning the beards of the
refractory rodents, in case they refuse to quit the close, as in the
following summons:
“Taupes et mulots,
Sors de mon clos,
Ou je te casse les os;
Barbassione! Si tu viens dans non clos,
Je te brûle la barbe jusqu’aux os.”
The utterance of these words is emphasized by loud and discordant noises
of cat-calls, tin horns, and similar instruments of “Callithumpian” music.
Gregory, who was Bishop of Tours in the latter half of the sixth century,
states in his _History of the Franks_ (VIII. 35) that bronze talismans
representing dormice and serpents were used in Paris to protect the city
against the ravages of these creatures; and when the town of Le Mans was
rebuilt after its destruction by fire in 1145, a toad with a gold chain
round its neck, was enclosed in a block of stone as a preservative against
venomous reptiles. (Le Corvasier: _Hist, des Évêques du Mans_, 1648, p.
441. Cf. Desnoyers: _Recherches_, etc., p. 7.)
The use of the above-mentioned means of conjuration is unquestionably of
very ancient date. Thus in a treatise on agriculture entitled τὰ γεωπονικά
and consisting of twenty books, written in the tenth century by the
Bithynian Byzantine, Kassianos Bassos, the following prescription is given
for getting rid of field-mice:
Public-domain text, read in full here on John Shaqi.
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