"That is the way you used to enter," Christabel proceeded, "when you had
been out contrary to parental instructions and the keepers expected to
have a fracas with the poachers. Your bedroom being exactly opposite,
detection was no easy matter. Your bedroom has never been touched since
you left. The key is still outside the door. Will you kindly enter it?"
"But--" Frank stammered. "But I assure you that I cannot--"
"Take the Rembrandt away. You cannot. The frame is of iron, and it is
fastened to the wall. It would take an experienced carpenter quite a
long time to remove it. Therefore your mission has failed. It is very
annoying, because it puts the other man in a very awkward position.
The position is going to be still more awkward presently. Please go to
your room."
"My dear lady, if my father knows that I am in the house--"
"He is not going to know that you are in the house, at least not for some
little time. And when you see him it will be better not to say more than
is necessary. Later on you will recognise what a friend I am to you."
"You are not showing it at present," Littimer said, desperately.
"The patient rarely sees any virtue in his medicine. Now, please, go to
your room. I can hear the other man muttering and getting anxious down
below. Now, if you approach that window again I am pretty certain that my
revolver will go off. You see, I am an American, and we are so careless
with such weapons. Please go to your room at once."
"And if I refuse your ridiculous request?"
"You will not find my request in the least ridiculous. If you refuse I
shall hold you up with my weapon and alarm the whole house. But I don't
want to do that, for the sake of the other man. He is so very
respectable, you know, and anything unconventional may be so awkward for
him. Yes, it is just as I expected. He is coming up the ivy to
investigate himself. Go!"
The revolver covered Littimer quite steadily. He could see into the blue
rim, and he was conscious of strange cold sensations down his spine. A
revolver is not a pretty thing at the best of times; it is doubly
hazardous in the hands of a woman.
"What do you want with me?" he asked.
"My dear man, I want to do nothing with you. Only do as you are told
and--there! The other man is coming up the ivy. He can't understand the
light and you not returning. He imagines that you are looking in the
wrong place. Please go."
Littimer backed before the weapon, backed until he was in the doorway.
Suddenly the girl gave him a push, shut the door to, and turned the key
in the lock. Almost at the same instant another figure loomed large in
the window-frame.
CHAPTER XXVII
SLIGHTLY FARCICAL
Public-domain text, read in full here on John Shaqi.
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