Really it was difficult to know what to think. They passed slowly along
till the lights here and there from the castle shone on their faces. At
the same time a carriage had driven up to the hall door and a visitor was
getting out. With a strange sense of eagerness and pleasure Chris
recognised the handsome features and misshapen shape of Hatherly Bell.
"The expected guest has arrived," Henson said.
There was such a queer mixture of snarling anger and exulting triumph in
his voice that Chris looked up. Just for an instant Henson had dropped
the mask. A ray of light from the open door streamed fully across his
face. The malignant pleasure of it startled Chris. Like a flash she began
to see how she had been used by those miscreants.
"He is very handsome," she contrived to say, steadily.
"Handsome is that handsome does," Henson quoted. "Let us hope that Dr.
Bell will succeed in his mission. He has my best wishes."
Chris turned away and walked slowly as possible up the stairs. Another
minute with that slimy hypocrite and she felt she must betray herself.
Once out of sight she flew along the corridor and snapped up the electric
light. She fell back with a stifled cry of dismay, but she was more
sorrowful than surprised.
"I expected it," she said. "I knew that this was the thing they
were after."
The precious copy of Rembrandt was no longer there!
CHAPTER XXXI
BELL ARRIVES
There were more sides to the mystery than David Steel imagined. It had
seemed to him that he had pretty well all the threads in his hands, but
he would have been astonished to know how much more Hatherly Bell and
Enid Henson could have told him.
But it seemed to Bell that there was one very important thing to be done
before he proceeded any farther. He was interested in the mystery as he
was interested in anything where crime and cunning played a part. But he
was still more intent upon clearing his good name; besides, this would
give him a wider field of action.
In the light of recent discoveries it had become imperative that he
should once more be on good terms with Lord Littimer. Once this was
accomplished, Bell saw his way to the clearing up of the whole
complication. It was a great advantage to know who his enemy was; it was
a still greater advantage to discover the hero of the cigar-case and the
victim of the outrage in Steel's conservatory was the graceless scamp Van
Sneck, the picture dealer, who had originally sold "The Crimson Blind" to
Lord Littimer.
It was all falling out beautifully. Not only had Van Sneck turned up in
the nick of time, but he was not in a position to do any further
mischief. It suited Bell exactly that Van Sneck should be _hors de
combat_ for the moment.
Public-domain text, read in full here on John Shaqi.
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