"I hope to do so presently," Bell said, pointedly; "but not yet. In the
first instance I have to prove to you that I have not stolen your
Rembrandt."
"Indeed? I should like to know how you propose to do that."
"I shall prove it at once. You were under the impression that you
possessed the only copy of the 'Crimson Blind' in existence. When you
lost yours and a copy of the picture was found in my possession, you were
perfectly justified in believing that I was the thief."
"I did take that extreme view of the matter," Littimer said, drily.
"Under the circumstances I should have done the same thing. But you were
absolutely wrong, because there were two copies of the picture. Yours was
stolen by an enemy of mine who had the most urgent reasons for
discrediting me in your eyes, and the other was concealed amongst my
belongings. It was no loss to the thief, because subsequently the stolen
one--my own one being restored to you--could have been exposed and
disposed of as a new find. Your print is in the house?"
"It hangs in the gallery at the present moment."
"Very good. Then, my lord, what do you say to this?"
Bell took the roll of paper from his pocket, and gravely flattened it out
on the table before him, so that the full rays of the electric light
should fall upon it. Littimer was a fine study of open-mouthed surprise.
He could only stand there gaping, touching the stained paper with his
fingers and breathing heavily.
"Here is a facsimile of your treasure," Bell went on. "Here is the same
thing. You are a good judge on these matters, and I venture to say you
will call it genuine. There is nothing of forgery about the engraving."
"Good heavens, no," Littimer snapped. "Any fool could see that."
"Which you will admit is a very great point in my favour," Bell
said, gravely.
"I begin to think that I have done you a great injustice," Littimer
admitted; "but, under the circumstances, I don't see how I could have
done anything else. Look at that picture. It is exactly the same as mine.
There is exactly the same discolouration in the margin in exactly the
same place."
"Probably they lay flat on the top of one another for scores of years."
"Possibly. I can't see the slightest difference in the smallest
particular. Even now I cannot rid myself of the feeling that I am the
victim of some kind of plot or delusion. The house is quiet now and there
is nobody about. Before I believe the evidence of my senses--and I have
had cause to doubt them more than once--I should like to compare this
print with mine. Will you follow me to the gallery, if you haven't
forgotten the way?"
Littimer took up the treasure from the table gingerly.
He was pleased and at the same time disappointed; pleased to find that he
had been mistaken all these years, sorry in the knowledge that his
picture was unique no longer. He said nothing until the alcove was
reached, and Chris drew back in the shadow to let the others pass.
Public-domain text, read in full here on John Shaqi.
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