"Yes, but he would have to explain how he burgled your house, and what
business he had to get himself half murdered in your conservatory. Let us
get out here and walk the rest of the way to your house. Our cabby knows
quite enough about us without having definite views as to your address."
The cabman was dismissed with a handsome _douceur_, and the twain turned
off the front at the corner of Eastern Terrace. Late as it was, there
were a few people lounging under the hospital wall, where there was a
suggestion of activity about the building unusual at that time of the
night. A rough-looking fellow, who seemed to have followed Bell and Steel
from the front, dropped into a seat by the hospital gates and laid his
head back as if utterly worn out. Just inside the gates a man was smoking
a cigarette.
"Halloa, Cross," David cried, "you are out late tonight!"
"Heavy night," Cross responded, sleepily, "with half a score of accidents
to finish with. Some of Palmer of Lingfield's private patients thrown off
a coach and brought here in the ambulance. Unless I am greatly mistaken,
that is Hatherly Bell with you."
"The same," Bell said, cheerfully. "I recollect you in Edinburgh. So some
of Palmer's patients have come to grief. Most of his special cases used
to pass through my hands."
"I've got one here to-night who recollects you perfectly well," said
Cross. "He's got a dislocated shoulder, but otherwise he is doing well.
Got a mania that he's a doctor who murdered a patient."
"Electric light anything to do with the story?" Bell asked, eagerly.
"That's the man. Seems to have a wonderfully brilliant intellect if you
can only keep him off that topic. He spotted you in North Street
yesterday, and seemed wonderfully disappointed to find you had nothing
whatever to do with this institution."
"If he is not asleep," Bell suggested, "and you have no objection--"
Cross nodded and opened the gate. Before passing inside Bell took the
rolled-up Rembrandt from his deep breast-pocket and handed it to David.
"Take care of this for me," he whispered. "I'm going inside. I've dropped
upon an old case that interested me very much years ago, and I'd like to
see my patient again. See you in the morning, I expect. Good-night."
David nodded in reply and went his way. It was intensely quiet and still
now; the weary loafer at the outside hospital seat had disappeared.
There was nobody to be seen anywhere as David placed his key in the
latch and opened the door. Inside the hall-light was burning, and so was
the shaded electric lamp in the conservatory. The study leading to the
conservatory was in darkness. The effect of the light behind was
artistic and pleasing.
It was with a sense of comfort and relief that David fastened the door
behind him. Without putting up the light in the study David laid the
Rembrandt on his table, which was immediately below the window in his
work-room. The night was hot; he pushed the top sash down liberally.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account