In sooth he was a man of moods and contradictions, changeable as an April
sky, and none the less quick-tempered and hard because he knew that
everybody was terribly afraid of him. And he had a tongue, too, a
lashing, cutting tongue that burnt and blistered. Sometimes he would be
quite meek and angry under the reproaches of the vicar, and yet the same
day history records it that he got off his horse and administered a sound
thrashing to the village poacher. Sometimes he got the best of the vicar,
and sometimes that worthy man scored. They were good friends, these two,
though the vicar never swerved in his fealty to Lady Littimer, whose
cause he always championed. But nobody seemed to know anything about that
dark scandal. They knew that there had been a dreadful scene at the
castle seven years before, and that Lady Littimer and her son had left
never to return. Lady Littimer was in a madhouse somewhere, they said,
and the son was a wanderer on the face of the earth. And when Lord
Littimer died every penny of the property, the castle included, would go
to her ladyship's nephew, Mr. Reginald Henson.
In spite of the great cloud that hung over the family Lord Littimer did
not seem to have changed. He was just a little more caustic than ever,
his tongue a little sharper. The servants could have told a different
story, a story of dark moods and days when the bitterness of the shadow
of death lay on the face of their master. Few men could carry their grief
better, and because Littimer carried his grief so well he suffered the
more. We shall see what the sorrow was in time.
There are few more beautiful places in England than Littimer Castle.
The house stood on a kind of natural plateau with many woods behind, a
trout stream ran clean past the big flight of steps leading to the hall,
below were terrace after terrace of hanging gardens, and to the left a
sloping, ragged drop of 200ft into the sea. To the right lay a
magnificently-timbered park, with a herd of real wild deer--perhaps the
only herd of this kind in the country. When the sun shone on the grey
walls they looked as if they had been painted by some cunning hand, so
softly were the greys and reds and blues blended.
Inside the place was a veritable art gallery. There were hundreds of
pictures and engravings there. All round the grand staircase ran a long,
deep corridor, filled with pictures. There were alcoves here fitted up as
sitting-rooms, and in most of them some gem or another was hung. When the
full flood of electric light was turned on at night the effect was almost
dazzling. There were few pictures in the gallery without a history.
Public-domain text, read in full here on John Shaqi.
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