The Crimson Conquest: A Romance of Pizarro and PeruHudson, Charles B. (Charles Bradford)
History
The Crimson Conquest: A Romance of Pizarro and Peru
Hudson, Charles B. (Charles Bradford)
Peru -- History -- Conquest, 1522-1548 -- Fiction
"Pass them," said the sergeant, and Duero called to his companions;
then, not wishing to be interrogated, gave the officer good-night. The
sergeant watched the _hamaca_ past the gate, and with a grimace to his
sentinel, retired to the guard-room. Since the death of Atahualpa he
had seen the like more than once.
Inside the gate Duero dismissed his remnant of the Cañares. Taking up
the silent and closely curtained _hamaca_, the Spaniards were presently
pounding at the _veedor’s_ door. An Indio servant opened to them, and
the litter was carried into the court. Apprised of its arrival, Rogelio
hurried out.
Duero ignored his greeting and demanded bluntly: "Where is the cage,
Señor _Veedor_? Here is the bird."
"Oh, my stars!" snuffled Rogelio, rubbing his hands and sidling round
the _hamaca_. "Is she there, indeed?—and in good condition, Duero?
Remember, that was part of the stipulation—that she should be unharmed,
and in good condition."
"As to being unharmed, I’ll answer for it," replied the soldier. "As
for her condition, you can figure for yourself what it is like to be
after such a journey. Where will you have her put? Come! We’re
weary."
"This way," said Rogelio, in a fluster. "The room is all prepared—a
bower, Duero, a very bower! He, he! Wait! I’ll fetch a lamp." He
scuttled away, reappeared with a light, and led the way to a door
opening upon the patio. It was fastened with a heavy padlock. Fumbling
for a second, he threw open the door. The _hamaca_ was carried in, the
door closed, and while Rogelio edged round eagerly with the lamp,
striving for a glimpse, Duero threw back the curtains and lifted Rava,
almost lifeless, from the litter. She moaned as he bore her to the
couch, and he hastened to remove the bonds and gag she had worn since
nearing Xauxa. She gave no other evidence of animation.
"Here—the light!" commanded Duero, gruffly, and took it without ceremony
from the _veedor’s_ hand, bending over the girl in scrutiny. Rogelio
hovered about, twisting his fat fingers, and straining to have a look at
the pale, drawn face almost hidden by her disordered tresses. It was a
face to move the compassion of a savage. The rough soldier felt its
pathos, for he straightened up and said brusquely:—
"She needeth looking after, ’t is a certainty. Fetch a woman at once,
Señor _Veedor_."
"A woman!" piped Rogelio. "Why, there’s no woman about. I have spoken
for one, and may have her to-morrow."
"No woman about!" exclaimed Duero, turning upon him sternly. "Do you
say there is none to give this girl the care she needeth?"
"To-morrow—" began the _veedor_ weakly.
"To-morrow!—To-night! This night, _Veedor_, or she goeth to Xauxa."
Duero’s black eyes travelled over Rogelio with an expression the latter
did not care to meet.
"To-night! Impossible, Duero!" he whined. "There is not a woman in the
fortress save two just come from San Miguel, and they—" He shook his
head.
Public-domain text, read in full here on John Shaqi.
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