surprise, suddenly aware of the rashness of his attack. He paused for the briefest instant. It was Cristoval’s opportunity, and in a second he had assumed the offensive with a vigor that caused a sudden deepening of the lines around his opponent’s mouth. Pizarro was a good swordsman, but of a school which, in Europe, was already passing. His guard was high, with point depressed, most suitable for his favorite attack, the cut. Now Cristoval, abruptly becoming the aggressor, brought into play a later skill acquired from the French. He assaulted on a lower line, with arm partly extended, hand at the height of his breast, and point on a level with the eyes. Instantly the advantage became his own, and he pressed his attack with such fierceness that Pizarro found no opportunity to regain the offensive. Compelled to lower his guard to engage Cristoval’s blade, he was hampered by the unwonted position. The weight of his rapier counted against him, and he was unprepared for the lightning movements of Cristoval’s more slender and swifter sword, which played before his eyes like a thin lambent tongue of pale flame. Cristoval in his mail, and Pizarro defended by his corselet, the only vulnerable points offered were their throats and heads. Here, again, the commander was at a disadvantage. With that keen, swift point menacing and perilously near, he dared not disengage for a cut. Repeatedly he essayed a thrust, but each time a riposte came like a flash, barely guarded. Cristoval directed his attack wholly at his adversary’s throat, and time after time Pizarro escaped a fatal thrust only by a hair’s breadth. But at length he felt a quick sensation of burning as he was grazed, then presently another. Goaded to desperation, he cut heavily at Cristoval’s head. Vainly, and again the burning sting, this time deeper, and he felt the hot blood trickling slowly to his breast. Savagely exultant, Cristoval pressed him more closely, eager to end it before his own strength gave out, for now he began to feel the effect of the long night in the saddle. So intent was he that he failed to note the sounds of an effort to open the door, but they did not escape Pizarro. Cristoval redoubled the energy of his assaults, not free from concern regarding Dominguez, who was but slightly wounded and now showed signs of returning animation.