The Crimson Conquest: A Romance of Pizarro and PeruHudson, Charles B. (Charles Bradford)
History
The Crimson Conquest: A Romance of Pizarro and Peru
Hudson, Charles B. (Charles Bradford)
Peru -- History -- Conquest, 1522-1548 -- Fiction
Cristoval’s heart sank in black despair as Pedro stumbled into the room,
basket in one hand and lantern in the other, and stood swaying in the
doorway, smiling idiotically at the darkness. The prisoner could have
wept in his sudden revulsion from hope to disappointment and disgust.
The sentinel seemed to hesitate about closing the door, and Pedro
blinked at him a moment, then said to Cristoval in a voice of maudlin
sympathy:—
"_Loco!_ (hic) _loco_, Cristoval? My commiseration! Sad state. _Animi
affectionem lumine mentis carentem nominaverunt_ (hic) _amentiam,
eandemque dementiam_. _Amentiam_ or _dementiam_, Cristoval—have thy
choice. Cicer—(hic) Cicero, my friend. Grand old man, Cicero, and safe
authority. But—art mad, Cristoval? Outrage! _Quos Deus perdere vult
prius dementat_. Whom God wisheth to destroy—thou knowest,
Cris(hic)toval. More Latin! Sh—shut the door, guard. I’ll sit down
with Cristoval. _Loco_, Cristoval? S-s-(hic)scandalous!"
The guard closed the door with a grin, Pedro regarding him with profound
drunken wisdom. Cristoval’s head was bowed upon his hands. As the
bolts were shot the cook’s manner underwent a transformation. He
listened a moment, then stepped briskly to the table, deposited basket
and lantern, and when the prisoner looked up dejectedly he met
seriousness from which all ebriety had vanished.
Cristoval sprang to his feet. "San Miguel, Pedro, I thought thou hadst
failed me! Thou’rt really sober?" He studied the cook’s genial face
earnestly. "_Gracias á Dios_! But ’twas well played! What news? Am I
to go?"
"_Seguramente_! Now, quickly, for we have scant time for words. That
little play was a part of our affair and will aid us later. What of
thine irons? Hast used the file? Ah, good! Now attend. This is the
plot. Pedro cometh to thee in his cups. He bringeth a bottle—here it
is. We drink. Presently Pedro sleepeth. What more simple, then, than
to bind his arms, unstrap his poor wooden leg, strap it to one of thy
good ones,—first cutting away the back of the leather socket to admit
thy bent knee,—don his cloak, sombrero, and sword, and sally forth when
the door is opened to thy knocking? The cloak hitched up by thy rapier
will conceal thy bent leg. Thine intoxication will account for thine
awkward gait on the unaccustomed peg, will excuse thy tilted sombrero to
hide thy face, and thy silence if addressed. The sentinel at the door
will be drunk shortly, for I’ve left him a bottle. With the one at the
entrance thou must take thy chances, but if accosted, hiccough and
tender this flask. It will be eloquent enough. Then—make the best of
thy way to the mountains, and _Dominas vobiscum_! Now, first, we must
take off that beard. Here are scissors. Sit, whilst I play the barber.
No time for words. Do as I say!"
He was at the beard in a moment. Cristoval raised his hand.
"Well, what now?" demanded Pedro, pausing.
"The Ñusta Rava," said Cristoval.
"Thou must leave her to me."
Public-domain text, read in full here on John Shaqi.
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