"One of my first inquiries was for the negroes Jake and Mandy Ann. The
latter is married and lives near the hotel, with as many children, I
thought, as the old woman who lived in a shoe, the way they swarmed out
when I called to see their mother. She had gone to Jacksonville to see
'ole Miss Perkinses, who was dyin', and had sent for her 'case she done
live with her when she was a girl,' one of the pickaninnies said. When I
asked for Jake I was told he was still in the palmetto clearing. No one
could tell me anything about the little girl who must now, if living, be
a woman of nearly forty. Indeed, no one seemed to remember her, so
changed are the people since the war. Jake, I was sure, had not
forgotten, and a few days ago I went to see him. He is an old man now,
and if there is such a thing as an aristocratic negro, he is one; with
his face black as ebony, his hair white as snow, and his eyes full of
intelligence and fire, especially when he talks of Miss Dory and 'de
good ole times fo' she went to Georgy and met de Northern cuss.' That is
what he calls the man who came for the little girl after the old
grandmother died.
"I will tell you the story of his coming as Jake told it to me in the
little enclosure where Miss Dory is buried, and where there is a very
pretty monument to her memory, with 'Eudora, aged 20,' upon it. He was
working in the yard, which was a garden of bloom, and over the grave and
around the monument a Marshal Niel had twined itself, its clusters of
roses filling the air with perfume. Pushing them a little aside, so that
I could see the lettering more distinctly, he said, 'That's what he tole
me to put thar, jess "Eudora, aged 20." I've left room for another name
when I'm perfectly shu'. I don't want to put no lie on a grave stun, if
her name wan't Crompton.'
"'Crompton!' I repeated, thinking of your parish.
"'Yes, Mas'r Mason, fo' God I b'lieve it's Crompton shu'. He comed an'
fetched lil chile Dory, the lil girl you seen at the funeral, what seems
only yestiddy, one way and in another a big lifetime sense we buried her
mother here.'
Public-domain text, read in full here on John Shaqi.
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