The crooked crossDutton, Charles J. (Charles Judson)
General
The crooked cross
Dutton, Charles J. (Charles Judson)
Bartley, John (Fictitious character) -- Fiction; Detective and mystery stories; Murder -- Investigation -- Fiction
Before us the church stretched away to the organ loft, which was above
the pulpit. Below us lay a great pit of darkness, while almost on a
level with us we could see the tiny splotch of light—a light which
flickered and twisted as the flame of a candle will. It was set
somewhere upon the organ, for we could catch the reflection of several
of the golden pipes. But the man at the keys we could not distinguish.
There was but the black outline of his figure as, with head bent low,
he played to the silent church.
As we sat there in the darkness, it dawned upon me that perhaps never
again would I hear such music—that is, if one could call the wild
strains which came from the organ music. It was unlike anything I have
ever heard, wild, fantastic and even devilish in its suggestion. For
the first time I began to understand what some people had in mind when
they called certain music immoral. Now the tones would swell, swell
until the echo reverberated from the wall. Next it would die down to a
soft, sobbing croon to last but a moment, and then suddenly burst
forth in a wild satanic laugh. It was the eeriest music I have ever
heard, and as time passed on, it seemed to frighten me.
Then came a moment when the organ died down to a strain so low we
could barely hear it. In that second, suddenly there was a terrific
flash of lightning—one which threw the rich glass of the windows in
high relief and caused the interior of the church to flare for a
moment into sight. Then followed a heavy crash of thunder, which
seemed to roll down the roof of the church. The next instant there
came the heavy dashing of rain upon the roof above our heads. And all
at once, as the sound of the thunder died away, the organ seemed to
falter, and the music stopped with a sudden crash. At the same time
the light in the organ loft went out.
As the light vanished, Carter gripped my arm. Bending over the
railing, I tried to figure out what had happened as if the very
tenseness of my gaze could pierce the blackness. A sound behind caused
me to jump, but the next instant there came Bartley's low whisper:
“It's all right, Pelt. Keep still.”
There came another flash of lightning more vivid than before, which
seemed to play across the window above the organ, a window which was
blood-red in the second I was able to see it. The clap of thunder
which followed appeared to shake the church to its very foundation.
And then in that second of silence which seems to follow a
thunderclap, there came ringing through the black church a voice—a
voice unlike anything I have ever heard. The tone exultant,
triumphant, ringing above the sound of the rain upon the roof and the
sweep of the wind around the building. A voice chanting a disconnected
series of words.
“A sign, O Lord. A sign to thy servant. The Lord will deliver his
enemies into my hands. A sign, O Lord. A sign I cried for. And it
came, it came.”
Public-domain text, read in full here on John Shaqi.
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