The Cross in Ritual, Architecture and ArtTyack, Geo. S. (George Smith)
History
The Cross in Ritual, Architecture and Art
Tyack, Geo. S. (George Smith)
Crosses
The sign of our salvation having come to fill so large a place in
Christian art, it would naturally be expected that in memorials in any way
connected with religious feelings it would be employed, and above all in
the monuments of the dead laid to rest in hope of a joyous resurrection
through the victory of the Cross. As a matter of fact, our earliest
Christian cross-forms are the disguised crosses of the catacombs, and in
spite of every outbreak of bigotry against other uses of the symbol, it
has never been entirely abandoned for such purposes. Preaching crosses and
market crosses might fall into ruin, and roods and crucifixes be wantonly
destroyed, but the Cross, carved in stone or cut on stone above the grave,
is found in all ages, though not so frequently in England in the
seventeenth and eighteenth centuries as before or since.
The first cross said to have been raised in the Kingdom of Northumbria,
was that wooden one which S. Oswald, the King and Martyr, planted with his
own hands on the eve of the battle of Hevenfelth in 635. This, originally
a sign of the cause for which Oswald sought to reclaim his realm, became a
memorial of the Christian victory, and was still preserved as such in the
time of the Venerable Bede, who tells us that "the place is shown to this
day, and held in great veneration."
Another memorial of battle was the famous Neville's Cross, near Durham,
erected to mark the spot where Ralph Neville, in October, 1346, defeated
the Scottish invaders. This, according to ancient accounts, was a
singularly dignified structure, with a crucifixion beneath a stone canopy
at the top, and a series of figures at the base, the whole being raised on
half-a-dozen steps.
The greater number of our memorial crosses, however, preserve the memory,
as was above indicated, of persons rather than of events; and amongst the
earliest of these is a very ancient example of the so-called runic type in
the Parish Church of Leeds. It is curiously wrought with human figures,
difficult now to name with any certainty, and with several fine specimens
of the varied and intricate scrolls so popular with the early
stone-carvers of the north. It is supposed to be a monument to Onlaf
Godfreyson, who died about 941.
Travellers in the Alps will be familiar with the memorials, pathetic in
their simplicity, of those mountaineers and wayfarers who have met sudden
destruction beneath the overwhelming avalanche; ever and anon the rustic
cross of wood is met with, marked with the initials of the dead and with
the letters "P. I.," or perhaps the words in full, _Perit ici_. Spain,
too, has her wooden crosses scattered along her most lonely roads and
hillsides, or by the forest pathway; memorials, these, however, of more
sombre tragedies, telling where the brigand or the highwayman struck down
his victim.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account