The uneasiness of Madame de Meilhan; her conduct towards me--for I was
certain she had purposely come late to mass and taken a seat by me for
the purpose of speaking to me and finding out what sort of a person I
was--the uneasiness of this devoted mother was to me a language more
convincing of the sincerity of her son's sentiments than all the
protestations of love he could have uttered in years. A mother's anxiety
is an unmistakable symptom; it is more significant than all others. The
jealousy of a rival is not so certain an indication; distrustful love
may be deceived, but maternal instinct _never_ is. Now, to induce a
woman of Madame de Meilhan's spirit and character to come agitated and
trembling to see me, ... why, I can say it without vanity, her son must
be madly in love, and she wished at all costs either to destroy or cure
this fatal passion that made him so unhappy.
When she arose to leave, I asked permission to walk back with her to
Richeport, as she was not well enough to go so far alone; she eagerly
accepted my offer, and as we went along, conversing upon indifferent
subjects, her uneasiness gradually disappeared; our conversation seemed
to relieve her mind of its heavy burden.
It happened that truth spoke for itself, as it always does, but
unfortunately is not always listened to. By my manners, the tone of my
voice, my respectful but dignified politeness--which in no way resembled
Mad. Taverneau's servile and obsequious eagerness to please, her humble
deference being that of an inferior to a superior, whilst mine was
nothing more than that due to an old lady from a young one--by these
shades insignificant to the generality of people, but all revealing to
an experienced eye, Mad. de Meilhan at once divined everything, that is
to say, that I was her equal in rank, education and nobility of soul;
she knew it, she felt it. This fact admitted, one thing remained
uncertain; why had I fallen from my rank in society? Was it through
misfortune or error? This was the question she was asking herself.
Public-domain text, read in full here on John Shaqi.
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