"During my travels I have observed that no people appreciate the
peculiar beauties of the country they inhabit. No one admires his own
physiognomy; every one would like to resemble some one else. Spaniards
and Turks make endless excuses for being handsome and picturesque. The
Andalusian apologizes to you for not wearing a coat and round hat. The
Arnaout, whose costume is the most gorgeous and elegant that has ever
been worn by the human form divine, sighs as he gazes at your overcoat,
and consults with himself upon the advisability of shooting you to get
possession of it, in the first mountain gorge where he may meet you
alone or poorly attended. Civilization is the natural enemy of beauty.
All its creations are ugly. Barbarism--or rather relative barbarism--has
found the secret of form and color. Man living so near to Nature
imitates her harmony, and finds the types of his garments and his
utensils in his surroundings. Mathematics have not yet developed their
straight lines, dry angles and painful aridity. Now-a-days, picturesque
traditions are lost, the long pantaloon has invaded the universe;
frightful fashion-plates circulate everywhere; now, I refuse to believe
that man's taste has become perverted to such a degree that if he were
shown costumes combining elegance with richness, he would not prefer
them to hideous modern rags. Having made these judicious and profound
reflections, I felt as if I had been enlightened from above, and the
secret of my earthly mission revealed to me; I had come into the world
to preach costume, and, as you see, I preach it by example. Reflecting
that Turkey is the country most menaced by the overcoat and stove-pipe
hat, I went to Constantinople to bring about a reaction in favor of the
embroidered vest and the turban. My grave studies upon the subject, my
fortune and my taste have enabled me to attain the _ne plus ultra_ of
style.
"I doubt whether a Sultan ever possessed so splendid or so
characteristic a wardrobe. I discovered among the bazaars of the cities
least infected by the modern spirit, some tailors with a profound
contempt for Frank fashions, who, with their tremulous hands, performed
marvels of cutting and embroidery. I will show you caftans braided in a
miserable little out-of-the-way village of Asia Minor, by some poor
devils whom you would not trust with your dog, which surpass, in
intricacy of design, the purest arabesques of the Alhambra, and in
color, the most gorgeous peacock tails of Eugene Delacroix or Narciso
Ruy Diaz de la Pena, a great painter, who out of commiseration for the
commonalty only makes use of a quarter of his name.
Public-domain text, read in full here on John Shaqi.
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