England -- Social life and customs -- 19th century -- Fiction; London (England) -- Fiction
So, on the next Sunday, Piers wended his way to Great Portland Street.
Arriving about three o'clock, he found the artist of the posters
sitting alone by her fire, legs crossed and cigarette in mouth.
"Ah, Mr. Otway!" she exclaimed, turning her head to see who entered in
reply to her cry of "Don't be afraid!" Without rising, she held a hand
to him. "I didn't think I should ever see you here again. How are you
getting on? Beastly afternoon--come and warm your toes."
The walls were hung with clever brutalities of the usual kind. Piers
glanced from them to Miss Bonnicastle, speculating curiously about her.
He had no active dislike for this young woman, and felt a certain
respect for her talent, but he thought, as before, how impossible it
would be ever to regard her as anything but an abnormality. She was not
ill-looking, but seemed to have no single characteristic of her sex
which appealed to him.
"What do you think of that?" she asked abruptly, handing him an
illustrated paper which had lain open on her lap.
The page she indicated was covered with some half-dozen small drawings,
exhibiting scenes from a popular cafe in Paris, done with a good deal
of vigour, and some skill in the seizing of facial types.
"Your work?" he asked.
"Mine?" she cried scoffingly. "I could no more do that than swim the
channel. Look at the name, can't you?"
He found it in a corner.
"Kite? Our friend?"
"That's the man. He's been looking up since he went to Paris. Some
things of his in a French paper had a lot of praise; nude
figures--queer symbolical stuff, they say, but uncommonly well done. I
haven't seen them; in London they'd be called indecent, the man said
who was telling me about them. Of course that's rot. He'll be here in a
few days, Olga says."
"She hears from him?"
"It was a surprise letter; he addressed it to this shop, and I sent it
on--that's only pot-boiling, of course." She snatched back the paper.
"But it's good in its way--don't you think?"
"Very good."
"We must see the other things they talk about--the nudes."
There was a knock at the door. "Come along!" cried Miss Bonnicastle,
craning back her head to see who would enter. And on the door opening,
she uttered an exclamation of surprise.
"Well, this is a day of the unexpected! Didn't know you were in
England."
Piers saw a slim, dark, handsome man, who, in his elegant attire,
rather reminded one of a fashion plate; he came briskly forward,
smiling as if in extreme delight, and bent over the artist's hand,
raising it to his lips.
"Now, _you'd_ never do that," said Miss Bonnicastle, addressing Otway,
with an air of mock gratification. "This is Mr. Florio, the
best-behaved man I know. Signor, you've heard us speak of Mr. Otway.
Behold him!"
Public-domain text, read in full here on John Shaqi.
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